A good artist’s always got his hand in his zipper.
PATTI SMITHI understood that in this small space of time we had mutually surrendered our loneliness and replaced it with trust.
More Patti Smith Quotes
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Vowels are the most illuminated letters in the alphabet. Vowels are the colors and souls of poetry and speech. (1976 Penthouse interview)
PATTI SMITH -
I was never a singer, I can’t play any instruments, I had no training. Plus, I was brought up in a time when all the great rock stars were male. I didn’t have any template for what I was doing. I did what I did out of frustration and concern.
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With the death of Robert Mapplethorpe, I had lost my main collaborator in taking photographs. So I didn’t know who to work with.
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In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
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Life isn’t some vertical or horizontal line — you have your own interior world, and it’s not neat.
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I felt alien my whole life but I didn’t feel alien because of my gender. Other people made me aware of my gender.
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I don’t know why, the very first word on my very first record is ‘Jesus.’ I still invoke him as an entity to reckon with.
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Even as a child, I knew what I didn’t want. I didn’t want to wear red lipstick.
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Well, I’m not one of those people who needs the limelight. If I’m performing, that’s what I’m doing. If I’m not, I don’t long for it. I don’t need the approval of an audience, or applause.
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One day we’ll go in together, and the work will be ours.
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I’ve lost many, many friends through natural causes, through alcohol, through drugs, through AIDS. And every time I lose a friend or a loved one, it reminds me how great life is.
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I started resenting how much art robs from life. I’d go to a party and I couldn’t enjoy myself, even sexually. All I could think was how I was going to reinvent the experience into a piece of art.
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People came at me with all sorts of offers, wanting to make me into a hard-core Cher. I had no desire for any amount of money to be reformed for someone’s vision, because in the end, that’s what you got: your clay in someone else’s hands.
PATTI SMITH -
For Christmas every year, my mother used to give me those cheap little diaries that would tell your horoscope and provide a little blank slot for each day.
PATTI SMITH -
So my last image was as the first. A sleeping youth cloaked in light, who opened his eyes with a smile of recognition for someone who had never been a stranger.
PATTI SMITH -
I understood that in this small space of time we had mutually surrendered our loneliness and replaced it with trust.
PATTI SMITH -
I refuse to believe that Hendrix had the last possessed hand, that Joplin had the last drunken throat, that Morrison had the last enlightened mind.
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All I’ve ever wanted, since I was a child, was to do something wonderful.
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Trust is everything between two artists, or between subject and artist. You have to have trust or nothing good will come out of it.
PATTI SMITH -
You can’t work on that scale without trust. I learned that from working with Robert Mapplethorpe.
PATTI SMITH -
I’m okay with roaming around the world in my bunk for days on end. Maybe every third day I’ll get a shower or stumble out at dawn and realize I’m in a field in Poland. I like that kind of life.
PATTI SMITH -
Life is an adventure of our own design intersected by fate and a series of lucky and unlucky accidents.
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To be an artist – actually, to be a human being in these times – it’s all difficult. … What matters is to know what you want and pursue it.
PATTI SMITH -
I think it’s important for people to realize that we were all young, all naive, and also we had lived in a time that had magic.
PATTI SMITH -
The two things that constantly inspired me were books and travel.
PATTI SMITH -
Will you pretend you’re my boyfriend?
PATTI SMITH