The Bible affects everybody’s life who is a Christian, from the middle class in Europe to the peasant in Africa and Asia.
NGUGI WA THIONG'OThe Bible affects everybody’s life who is a Christian, from the middle class in Europe to the peasant in Africa and Asia.
More Ngugi wa Thiong'o Quotes
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Life, struggle, even amidst pain and blood and poverty, seemed beautiful.
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There is no way we can survive as a nation in the world without finding unity.
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For me, being in prison writing in an African language was a way of saying: “Even if you put me in prison, I will keep on writing in the language which made you put me in prison.”
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What’s good about writing is that when you write novels or fiction, people can see that the problems in one region are similar to problems in another region.
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The Bible in translation is being read to thousands and thousands in Africa. It is an integral part of their functioning and the way they look at the world.
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The Bible has affected their lives, but in translation, since they do not read the Bible in the original Greek or Hebrew.
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Many people do not know that Jesus did not speak Latin or English or Hebrew; he spoke Aramaic. But nobody knows that language.
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If a novel is written in a certain language with certain characters from a particular community and the story is very good or illuminating, then that work is translated into the language of another community.
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Another phenomenon developing in Kenya is ethnic cleansing – and that’s the thing that has made me very sad. Because some people will use the cover of the problems of rigged elections to do things that are unacceptable like ethnic cleansing and displacement of people. It’s completely unacceptable.
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I’m more trying to connect; I’m more listening to people. Whatever I get is very meaningful to me.
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Writing in African languages became a topic of discussion in conferences, in schools, in classrooms; the issue is always being raised – so it’s no longer “in the closet,” as it were. It’s part of the discussion going on about the future of African literature.
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It was a revelation for me, in a practical sense, that you could write in an African language and still reach an audience beyond that language through the art of translation.
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Then they begin to see through their language that the problems described there are the same as the problems they are having. They can identify with characters from another language group.
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I was wondering why I was put in prison for working in an African language when I had not been put in prison for working in English. So really, in prison I started thinking more seriously about the relation between language and power.
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I’m writing for those people in Kenya, but in Irvine and in New York.
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