About the joys and the courage, I really don’t know what other people think. I just know that I’ve never left Africa. I’ve lived there all my life. And one of the wonderful things, in spite of all the terrible things that happen in South Africa, is the way people continue to keep their dignity.
NADINE GORDIMERI cannot live with someone who can’t live without me.
More Nadine Gordimer Quotes
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There’s no tiling moral about beauty.
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It was a miracle; it was all a miracle: and one ought to have known, from the sufferings of saints, that miracles are horror.
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If I dreamt this, while walking, walking in the London streets, the subconscious of each and every other life, past and present, brushing me in passing, what makes it real? Writing it down.
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The creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable.
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a writer doesn’t only need the time when he’s actually writing – he or she has got to have time to think and time just to let things work out. Nothing is worse for this than society. Nothing is worse for this than the abrasive, if enjoyable, effect of other people.
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The Communist Party is very popular in South Africa, especially among the young people. Never having had a chance to travel, and having suffered so much under capitalism, they still can’t believe that the Russian people themselves have rejected it.
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Keenness of hearing revives when one is alone.
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Certainly the people who are close to me are happier. They feel freer.
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I shall never write an autobiography, I’m much too jealous of my privacy for that.
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Can you imagine writers influencing things in America? Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more – absolutely not. France used to, at least, have writers as diplomats, but not any more.
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Time is change; we measure its passage by how much things alter.
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it’s impossible to conquer all fear and loss by preparation. There are always sources of desolation that aren’t taken into account because no one knows what they will be.
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From Ernest Hemingway’s stories I learned to listen within my stories for what went unsaid by my characters.
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In various and different circumstances certain objects and individuals are going to turn out to be vital. The wager of survival cannot, by its nature, reveal which, in advance of events.
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If one will always have to feel white first, and African second, it would be better not to stay on in Africa.
NADINE GORDIMER