I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.
MITSKIGrowing up, I never really felt like anything was my own. I moved a lot, and I never belonged anywhere.
More Mitski Quotes
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I have my privileges, but I do feel like at every turn there is such resistance.
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You always want what you can’t have, and that all-American thing, from the day I was born,
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I think my whole identity is formed around not knowing where I’m from. It might even be that I find comfort in that confusion.
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Things seem to take so much longer for me to do. I have to say things 10 times instead of once. I have to knock on 10 different doors instead of two. For everything.
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When you’re doing something you’re not used to, you kind of realize that you’re still a kid: even though the whole world around you sees you as an adult and you’re expected to act like an adult, you still haven’t actually grown up.
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When you love someone and care about them, you want what’s best for them, and it’s always the hardest thing to realize maybe you aren’t what’s best for them, how hard you try.
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I always have strong urges to sabotage myself.
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I can’t read in a car, because I’ll get sick. It’s almost instant.
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What I have a problem with is when it becomes another form of tokenization, of shrinking me into a symbol instead of a multilayered, female Asian artist.
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I could never enter that dream. That all-American white culture is something that is inherited instead of attained.
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When I started making music, I was like, ‘This is something I can believe I was meant to do.’
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Whenever someone says they like something about my music.
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I’ve been asked whether I have a hobby, and have felt strangely offended that anyone would assume I have the time.
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I don’t really listen to pop-country, but I like really, really old country that’s closer to folk. Like Johnny Cash, who is considered country.
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Then you start to realise, ‘Oh, I’m bending a lot,’ and they’re just standing there existing, and I’m bending around them. But you can’t blame them: they don’t realise it; that’s just how they already existed. It’s hard.
MITSKI