I feel very conscious of my influences. T.H. White is very important for me.
LEV GROSSMANYou’re all so obsessed with other worlds, you’re so convinced that this one is crap and everywhere else is great, but you’ve never bothered to figure out what’s going on here!
More Lev Grossman Quotes
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Maybe there’s a sense that technology isn’t necessarily the answer to a lot of our problems. Fantasy offers readers a less radically alienated world – a world where desires and feelings that normally are trapped inside your mind are made real in the form of magic.
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I studied the cello for a long time, from when I was little up through college.
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By now he had learned enough to know that when he was getting annoyed at somebody else, it was usually because there was something that he himself should be doing, and he wasn’t doing it.
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The problem with growing up is that once you’re grown up, the people who aren’t grown up aren’t fun anymore.
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Young minds – young brains – need stories and ideas like the ones in those [censored and banned] books in order to grow. They need ideas that you disagree with. They need ideas that I disagree with. Or they’ll never be able to figure out what ideas they believe in.
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His whole personality was like an elaborate joke that he never stopped telling.
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Don’t take anyone’s writing advice too seriously.
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The process of learning is a nonstop orgy of wonderment.
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You’re all so obsessed with other worlds, you’re so convinced that this one is crap and everywhere else is great, but you’ve never bothered to figure out what’s going on here!
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His crush went from exciting to depressing, as if he’d gone from the first blush of infatuation to the terminal nostalgia of a former lover without even the temporary relief of an actual relationship in between.
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Magic is wild, dangerous stuff. You never realize how useful limitations are until it’s much too late.
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My book group has one rule: no books for adults. We read young adult fiction only.
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He wasn’t surprised. He was used to this anticlimactic feeling, where by the time you’ve done all the work to get something you don’t even want it anymore.
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I feel that’s one of the central questions of fantasy. What did we lose when we entered the 20th and 21st century, and how can we mourn what we lost, and what can we replace it with? We’re still asking those questions in an urgent way.
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The danger would be going back, or staying still. The only way out was through. The past was ruins, but the present was still in play.
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