I loved fantasy, but I particularly loved the stories in which somebody got out of where they were and into somewhere better – as in the Chronicles Of Narnia, The Wizard Of Oz, The Phantom Tollbooth, the Dungeons & Dragons cartoon.
LEV GROSSMANThe danger would be going back, or staying still. The only way out was through. The past was ruins, but the present was still in play.
More Lev Grossman Quotes
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Young minds – young brains – need stories and ideas like the ones in those [censored and banned] books in order to grow. They need ideas that you disagree with. They need ideas that I disagree with. Or they’ll never be able to figure out what ideas they believe in.
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I feel that’s one of the central questions of fantasy. What did we lose when we entered the 20th and 21st century, and how can we mourn what we lost, and what can we replace it with? We’re still asking those questions in an urgent way.
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The novel is a highly corrupt medium, after all – in the end the vast majority of them simply aren’t that great, and are destined to be forgotten.
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My book group has one rule: no books for adults. We read young adult fiction only.
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It’s an engrossing look at the way the flow of information shapes history-as well as a rare glimpse into the soul of the hardcore geek
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A magician is strong because he feels the pain between what the world is and what he would make of it.
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Don’t take anyone’s writing advice too seriously.
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The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
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He who completes a quest does not merely find something. He becomes something.
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The real problem with being around James was that he was always the hero. And what did that make you? Either the sidekick or the villain.
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A novel with a bad middle is a bad book. A bad ending is something I’ve just gotten in the habit of forgiving.
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Josh speculated about the hypothetical contents of an imaginary porn magazine for intelligent trees that would be entitled Enthouse.
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Magic is wild, dangerous stuff. You never realize how useful limitations are until it’s much too late.
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I feel very conscious of my influences. T.H. White is very important for me.
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Supposedly I’ve got traces of an English accent, though I can’t hear it. I must have inherited it from my mother, who’s English, and then I think it was exacerbated by the fact that I live with an Australian.
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Careful what you hunt, lest you catch it.
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The new Web is a very different thing. It’s a tool for bringing together the small contributions of millions of people and making them matter. Silicon Valley consultants call it Web 2.0, as if it were a new version of some old software. But it’s really a revolution.
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Maybe there’s a sense that technology isn’t necessarily the answer to a lot of our problems. Fantasy offers readers a less radically alienated world – a world where desires and feelings that normally are trapped inside your mind are made real in the form of magic.
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The main advantage of being a reviewer is that you read a lot. A lot of books get sent to you, and you have an amazing vantage point from which to observe what’s going on in contemporary fiction – not only genre stuff, the whole spectrum.
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Magic: it was what happened when the mind met the world, and the mind won for a change.
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The truth doesn’t always make a good story, does it?
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Some of the comments on YouTube make you weep for the future of humanity just for the spelling alone, never mind the obscenity and the naked hatred.
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It turns out that there is something that can compete with free: easy.
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In a way fighting was just like using magic. You said the words, and they altered the universe. By merely speaking you could create damage and pain, cause tears to fall, drive people away, make yourself feel better, make your life worse.
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We have lived too long. The great days are past.
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People – me included – want to get excited about books. Good books are a good thing.
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