The new Web is a very different thing. It’s a tool for bringing together the small contributions of millions of people and making them matter. Silicon Valley consultants call it Web 2.0, as if it were a new version of some old software. But it’s really a revolution.
LEV GROSSMANYou’re all so obsessed with other worlds, you’re so convinced that this one is crap and everywhere else is great, but you’ve never bothered to figure out what’s going on here!
More Lev Grossman Quotes
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A big silvery janitor. Penny, this can’t be how the universe works.” “In the Order we call it ‘inverse profundity.’ We’ve observed it in any number of cases. The deeper you go into the cosmic mysteries, the less interesting everything gets.
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Some of the comments on YouTube make you weep for the future of humanity just for the spelling alone, never mind the obscenity and the naked hatred.
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In a way fighting was just like using magic. You said the words, and they altered the universe. By merely speaking you could create damage and pain, cause tears to fall, drive people away, make yourself feel better, make your life worse.
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A magician is strong because he feels the pain between what the world is and what he would make of it.
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The process of learning is a nonstop orgy of wonderment.
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He wasn’t surprised. He was used to this anticlimactic feeling, where by the time you’ve done all the work to get something you don’t even want it anymore.
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I feel that’s one of the central questions of fantasy. What did we lose when we entered the 20th and 21st century, and how can we mourn what we lost, and what can we replace it with? We’re still asking those questions in an urgent way.
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I loved fantasy, but I particularly loved the stories in which somebody got out of where they were and into somewhere better – as in the Chronicles Of Narnia, The Wizard Of Oz, The Phantom Tollbooth, the Dungeons & Dragons cartoon.
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The problem with growing up is that once you’re grown up, the people who aren’t grown up aren’t fun anymore.
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Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there’s nothing else.
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The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
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I feel very conscious of my influences. T.H. White is very important for me.
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Magic: it was what happened when the mind met the world, and the mind won for a change.
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Escapism has value, even if I don’t know what its value is, exactly. Maybe it’s just part of some healthy way that we deal with the world.
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Supposedly I’ve got traces of an English accent, though I can’t hear it. I must have inherited it from my mother, who’s English, and then I think it was exacerbated by the fact that I live with an Australian.
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By now he had learned enough to know that when he was getting annoyed at somebody else, it was usually because there was something that he himself should be doing, and he wasn’t doing it.
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Do you promise to hate my parents as much as I do?” “Oh, absolutely,” Quentin said. “Maybe even more.
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I came from an anxious, overly intense East Coast academic family. That was the way of our tribe.
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His whole personality was like an elaborate joke that he never stopped telling.
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The novel is a highly corrupt medium, after all – in the end the vast majority of them simply aren’t that great, and are destined to be forgotten.
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The real world is horrible.
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People – me included – want to get excited about books. Good books are a good thing.
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Young minds – young brains – need stories and ideas like the ones in those [censored and banned] books in order to grow. They need ideas that you disagree with. They need ideas that I disagree with. Or they’ll never be able to figure out what ideas they believe in.
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I love playing with the conventions of fantasy, and breaking rules, and crossing lines.
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The truth doesn’t always make a good story, does it?
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We have lived too long. The great days are past.
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