It is one of the enjoyments of retirement that you are able to drift through the day at your own pace, easy in the knowledge that you have put hard work and achievement behind you.
KAZUO ISHIGUROWe took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
More Kazuo Ishiguro Quotes
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An artist’s concern is to capture beauty wherever he finds it.
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I can’t even say I made my own mistakes. Really – one has to ask oneself – what dignity is there in that?
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But then, I suppose, when with the benefit of hindsight one begins to search one’s past for such ‘turning points’, one is apt to start seeing them everywhere.
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My friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation.
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Even the solitude, I’ve actually grown to quite like. I do like the feeling of getting into my little car, knowing for the next couple of hours I’ll have only the roads, the big gray sky and my daydreams for company.
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I was a little concerned that a lot of people thought I wrote Merchant Ivory movies. I also thought if I was ever going to write something strange and difficult, that was the time.
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There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.
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I started as a songwriter and wanted to be like Leonard Cohen. I’ve always seen my stories as enlarged songs.
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You have to accept that sometimes that’s how things happen in this world. People’s opinions, their feelings, they go one way, then the other. It just so happens you grew up at a certain point in this process.
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The evening’s the best part of the day. You’ve done your day’s work. Now you can put your feet up and enjoy it.
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The problem, as I see it, is that you’ve been told and not told. You’ve been told, but none of you really understand, and I dare say, some people are quite happy to leave it that way.
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What I’m not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we’ve lived through, or feel we’ve had enough time.
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One is not struck by the truth until prompted quite accidentally by some external event.
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There are things I am more interested in than the clone thing. How are they trying to find their place in the world and make sense of their lives? To what extent can they transcend their fate? As time starts to run out, what are the things that really matter?
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The Booker triumph of Graham Swift’s moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.
KAZUO ISHIGURO