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The publicity image steals her love of herself as she is, and offers it back to her for the price of the product.

John Berger

Words are so often used in the opposite sense, as a screen of diversion. It’s the struggle towards truthfulness which is the same whether one is writing a poem, a novel or an argument.
JOHN BERGER

Argument Diversion Opposite Same Screen Struggle Towards Truthfulness Use Word Writing
Everything in life, is a question of drawing a life, John, and you have to decide for yourself where to draw it.
JOHN BERGER

Decide Draw Drawing Everything People Question Trying Yourself
Men look at women. Women watch themselves being looked at.
JOHN BERGER

Aqtch Look Men Sight Vision Women
I wanted to write about looking at the world, so it’s more about helping people, or persuading people, to see what is around us; both the marvellous and the terrible.
JOHN BERGER

Around Help Look Marvelous People See Terrible Want World Writing
Every painted image of something is also about the absence of the real thing. All painting is about the presence of absence.
JOHN BERGER

Absence Painting Presence Real Something Thing
What any true painting touches is an absence – an absence of which without the painting, we might be unaware. And that would be our loss.
JOHN BERGER

Absence Loss might Paint Painting Touch True Unaware
The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.
JOHN BERGER

Before Century Poverty Priorities Result Scarcity Set World
One of the fundamental reasons why so many doctors become cynical and disillusioned is precisely because, when the abstract idealism has worn thin, they are uncertain about the value of the actual lives of the patients they are treating.
JOHN BERGER

Abstract Actual Cynical Disillusioned Doctor Fundamental Idealism Knowing Life Precise Reason Treat
A tactic which allows people, as distinct from their elected but often craven governments, to apply a certain pressure on those wielding power in what they, the boycotters, consider to be an unjust or immoral way.
JOHN BERGER

Allow Boycott Consider Craven Distinct Elected Government People Pressure Tactic
The woman’s sexual passion needs to be minimized, so that the spectator may feel that he has the monopoly on such passion
JOHN BERGER

Feel May Minimize Monopoly Need Passion Sexual Spectator Such Women
But toemigrate is always to dismantle the centre of the world, and so to move into a lost, disoriented one of fragments.
JOHN BERGER

Always Centre Dismantle Emigrate Fragment Lost Move World
You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
JOHN BERGER

Enjoy Hand Look Mirror Morally Naked Paint Painting Pleasure Vanity Women
The past grows gradually around one, like a placenta for dying.
JOHN BERGER

Around Die Dying Gradually Grow One Past Placenta
Your lips, beloved, are like a honeycomb: honey and milk are under the tongue. And the smell of your clothes is like the smell of my home.
JOHN BERGER

Beloved Clothes Home Honeycomb Like Lip Milk Smell Tongue
Emigration, forced or chosen, across national frontiers or from village to metropolis, is the quintessential experience of our time.
JOHN BERGER

Chosen Emigration Experience Forced Metropolis National Time Village
Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.
JOHN BERGER

Age Believe City Every Nothing Sex Teenager

The publicity image steals her love of herself as she is, and offers it back to her for the price of the product.

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The publicity image steals her love of herself as she is, and offers it back to her for the price of the product.

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Popular Authors

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