Ethics determine choices and actions and suggest difficult priorities.
JOHN BERGERWhen he painted a road, the roadmakers were there in his imagination, when he painted the turned earth of a ploughed field, the gesture of the blade turning the earth was included in his own act.
More John Berger Quotes
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Propaganda requires a permanent network of communication so that it can systematically stifle reflection with emotive or utopian slogans. Its pace is usually fast.
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Compassion opposes this order and is therefore best thought of as being in some way supernatural.
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The past grows gradually around one, like a placenta for dying.
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What is to happen next will take place within the four walls of the story. And this is possible because the story’s voice makes everything its own.
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The unsung, impersonal world remains outside, on the other surface of a placenta. All songs, even when their content or rendering is strongly masculine, operate maternally.
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History always constitutes the relation between a present and its past. Consequently fear of the present leads to mystification of the past
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Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.
JOHN BERGER -
The heart of Paris is like nothing so much as the unending interior of a house.
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The opposite of love is not to hate but to separate. If love and hate have something in common it is because, in both cases, their energy is that of bringing and holding together
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The century of people helplessly seeing others, who were close to them, disappear over the horizon.
JOHN BERGER -
Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.
JOHN BERGER -
The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object – and most particularly an object of vision: a sight.
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In the average European oil painting of the nude the principal protagonist is never painted. He is the spectator in front of the picture and he is presumed to be a man.
JOHN BERGER -
Advertising is not merely an assembly of competing messages; it is a language itself which is always being used to make the same general proposal
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What is saved in the cinema when it achieves art is a spontaneous continuity with all mankind.
JOHN BERGER