What is significant, and is so difficult for the urban stranger to understand, is that the two statements are connected by an and not by a but.
JOHN BERGERWe know that the earth is turning away from it. Yet the knowledge, the explanation, never quite fits the sight.
More John Berger Quotes
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Common-sense is part of the home-made ideology of those who have been deprived of fundamental learning, of those who have been kept ignorant.
JOHN BERGER -
The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
JOHN BERGER -
Japanese art looked closely around screens; Italian Renaissance art surveyed conquered nature through the window or door-frame of a palace.
JOHN BERGER -
Traditional Chinese art looked at the Earth from a Confucian mountain top;
JOHN BERGER -
What is saved in the cinema when it achieves art is a spontaneous continuity with all mankind.
JOHN BERGER -
A drawing is essentially a private work, related only to the artist’s own needs; a ‘finished’ statue or canvas is essentially a public, presented work – related far more directly to the demands of communication.
JOHN BERGER -
One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man.
JOHN BERGER -
We can become anything. That is why injustice is impossible here. There may be the accident of birth, there is no accident of death. Nothing forces us to remain what we were.
JOHN BERGER -
Capitalism survives by forcing the majority, whom it exploits, to define their own interests as narrowly as possible.
JOHN BERGER -
Your lips, beloved, are like a honeycomb: honey and milk are under the tongue. And the smell of your clothes is like the smell of my home.
JOHN BERGER -
The time of a cigarette is a parenthesis, and if it is shared, you are both in that parenthesis. Its like a proscenium arch for a dialogue.
JOHN BERGER -
You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
JOHN BERGER -
Tracing an imaginary line between a cluster of stars gave them an image and an identity.
JOHN BERGER -
These contradictions both hide and increase the natural ambiguity of the photographic image.
JOHN BERGER -
That we find a crystal or a poppy beautiful means that we are less alone, that we are more deeply inserted into existence than the course of a single life would lead us to believe.
JOHN BERGER