We never look at just one thing; we are always looking at the relation between things and ourselves.
JOHN BERGERWe never look at just one thing; we are always looking at the relation between things and ourselves.
JOHN BERGERThe envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.
JOHN BERGERA drawing is essentially a private work, related only to the artist’s own needs; a ‘finished’ statue or canvas is essentially a public, presented work – related far more directly to the demands of communication.
JOHN BERGERThe relation between what we see and what we know is never settled. Each evening we see the sun set.
JOHN BERGERWhen we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss.
JOHN BERGERWhat distinguished man from animals was the human capacity for symbolic thought, the capacity which was inseparable from the development of language in which words were not mere signals, but signifiers of something other than themselves.
JOHN BERGERTo be naked is to be oneself. To be nude is to be seen naked by others and yet not recognised for oneself.
JOHN BERGEREverything in life, is a question of drawing a life, John, and you have to decide for yourself where to draw it.
JOHN BERGERDrawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.
JOHN BERGERThe spectator-buyer is meant to envy herself as she will become if she buys the product.
JOHN BERGERPainting is something that you need to do, if not every day, then certainly most days. It is almost like being a pianist: if you stop, you lose something.
JOHN BERGERIf every event which occurred could be given a name, there would be no need for stories.
JOHN BERGERYou painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
JOHN BERGERIt is not usually possible in a poem or a story to make the relationship between particular and universal fully explicit. Those who try to do so end up writing parables.
JOHN BERGERIt is not an art of the princes or the bourgeoisie. It is popular and vagrant. In the sky of the cinema people learn what they might have been and discover what belongs to them apart from their single lives.
JOHN BERGERThese contradictions both hide and increase the natural ambiguity of the photographic image.
JOHN BERGER