Modern thought has transferred the spectral character of Death to the notion of time itself. Time has become Death triumphant over all.
JOHN BERGEREmigration, forced or chosen, across national frontiers or from village to metropolis, is the quintessential experience of our time.
More John Berger Quotes
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The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.
JOHN BERGER -
Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama.
JOHN BERGER -
Traditional Chinese art looked at the Earth from a Confucian mountain top;
JOHN BERGER -
The century of people helplessly seeing others, who were close to them, disappear over the horizon.
JOHN BERGER -
You are observed with interest but you do not observe with interest – if you do, you will become less enviable. In this respect the envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.
JOHN BERGER -
In the average European oil painting of the nude the principal protagonist is never painted. He is the spectator in front of the picture and he is presumed to be a man.
JOHN BERGER -
Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.
JOHN BERGER -
To be desired is perhaps the closest anybody in this life can reach to feeling immortal.
JOHN BERGER -
Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.
JOHN BERGER -
I use charcoal a lot. Partly because it has such a fantastic range but also because it is very easy to erase.
JOHN BERGER -
Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects.
JOHN BERGER -
No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
JOHN BERGER -
Nothing in the nature around us is evil. This needs to be repeated since one of the human ways of talking oneself into inhuman acts is to cite the supposed cruelty of nature.
JOHN BERGER -
The contradiction in perspective was that it structured all images of reality to address a single spectator who, unlike God, could only be in one place at a time.
JOHN BERGER -
Yet the first symbols were animals. What distinguished men from animals was born of their relationship with them.
JOHN BERGER