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[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.

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Art Future Innocent Judge never Often Past Revenge Shown Suffer

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

The spectator-buyer is meant to envy herself as she will become if she buys the product.
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Modern thought has transferred the spectral character of Death to the notion of time itself. Time has become Death triumphant over all.
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The time of a cigarette is a parenthesis, and if it is shared, you are both in that parenthesis. Its like a proscenium arch for a dialogue.
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Nothing in the nature around us is evil. This needs to be repeated since one of the human ways of talking oneself into inhuman acts is to cite the supposed cruelty of nature.
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Do you know the legend about cicadas? They say they are the souls of poets who cannot keep quiet because, when they were alive, they never wrote the poems they wanted to.
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Every authentic poem contributes to the labor of poetry… to bring together what life has separated or violence has torn apart…
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The animal has secrets which, unlike the secrets of caves, mountains, seas are specifically addressed to man.
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The happiness of being envied is glamour. Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you.
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It is not an art of the princes or the bourgeoisie. It is popular and vagrant. In the sky of the cinema people learn what they might have been and discover what belongs to them apart from their single lives.
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By contrast, a woman’s presence… defines what can and cannot be done to her.
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Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.
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It dreams, like a dog in its basket, of hares in the open.
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Emigration, forced or chosen, across national frontiers or from village to metropolis, is the quintessential experience of our time.
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Men look at women. Women watch themselves being looked at.
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If the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger.
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Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects.
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