black
grey
blue
red
brown
white

These contradictions both hide and increase the natural ambiguity of the photographic image.

Related Topics

Ambiguity Contradiction Image Increase Natural Photo Photograph

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

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For me, drawing is a lot to do with taking out, with returning to the white of the paper.
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The heart of Paris is like nothing so much as the unending interior of a house.
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Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it.
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We never look at just one thing; we are always looking at the relation between things and ourselves.
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We only see what we look at. To look is an act of choice.
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Whenever the intensity of looking reaches a certain degree, one becomes aware of an equally intense energy coming towards one through the appearance of whatever it is one is scrutinizing.
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[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.
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Modern thought has transferred the spectral character of Death to the notion of time itself. Time has become Death triumphant over all.
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A drawing is an autobiographical record of one’s discovery of an event – either seen, remembered or imagined. A ‘finished’ work is an attempt to construct an event in itself.
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We know that the earth is turning away from it. Yet the knowledge, the explanation, never quite fits the sight.
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A man’s presence suggests what he is capable of doing to you or for you.
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The time of a cigarette is a parenthesis, and if it is shared, you are both in that parenthesis. Its like a proscenium arch for a dialogue.
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