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The unsung, impersonal world remains outside, on the other surface of a placenta. All songs, even when their content or rendering is strongly masculine, operate maternally.

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All Content Impersonal Maternity Operate Outside Placenta Remain Song Surface

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What any true painting touches is an absence – an absence of which without the painting, we might be unaware. And that would be our loss.
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Absence Loss might Paint Painting Touch True Unaware
Advertising is not merely an assembly of competing messages; it is a language itself which is always being used to make the same general proposal
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The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
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Never again shall a single story be told as though it were the only one.
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The camera relieves us of the burden of memory.
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Burden Camera Memories Photography Recieve
For me, drawing is a lot to do with taking out, with returning to the white of the paper.
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The past is the one thing we are not prisoners of. We can do with the past exactly what we wish. What we can’t do is to change its consequences.
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Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects.
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The zoo cannot but disappoint.
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Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.
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The stars threaded on that line were like events threaded on a narrative. Imagining the constellations did not of course change the stars, nor did it change the black emptiness that surrounds them. What it changed was the way people read the night sky.
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Change Constellation Event Imagining Night People Sky Surround Threaded
Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.
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By contrast, a woman’s presence… defines what can and cannot be done to her.
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Pleasure and pain need to be considered together; they are inseparable. Yet the space filled by each is perhaps different. Pleasure, defined as a sense of gratification, is essential for nature
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The zoo cannot but disappoint. The public purpose of zoos is to offer visitors the opportunity of looking at animals.
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Ours is the century of enforced travel of disappearances.
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