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Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.

John Berger

It is not an art of the princes or the bourgeoisie. It is popular and vagrant. In the sky of the cinema people learn what they might have been and discover what belongs to them apart from their single lives.
JOHN BERGER

Art Bourgeoisie Cinema Discover Learn People Popular Princes Single Sky Vagrant
All photographs are there to remind us of what we forget. In this – as in other ways – they are the opposite of paintings.
JOHN BERGER

Forget Opposite Other Pain Painting Photography Remind Way
This is not because they are callous or personally inhuman: it is because they live in and accept a society which is incapable of knowing what a human life is worth.
JOHN BERGER

Accept Callous Human Inhuman Know Live Society Worth
It is not usually possible in a poem or a story to make the relationship between particular and universal fully explicit. Those who try to do so end up writing parables.
JOHN BERGER

Between Explicit Fully Make Relationship Stories Trying Universal Usually Writing
What do drawings mean to me? I really don’t know. The activity absorbs me. I forget everything else in a way that I don’t think happens with any other activity.
JOHN BERGER

Absorb Activity Draw Else Everything Forget Happen Mean Think Thinking
Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
JOHN BERGER

Audience Cinema Deep Individually Nature Ritual Theatre Transport Unknown
The happiness of being envied is glamour. Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you.
JOHN BERGER

Being Depend Envy Experience Glamourous Happiness Illusion Precisely Reassurance Share Solitary
Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.
JOHN BERGER

Add All Cutting Daily Future Mean Media Modernism Past Presently
Men look at women. Women watch themselves being looked at.
JOHN BERGER

Aqtch Look Men Sight Vision Women
For me, drawing is a lot to do with taking out, with returning to the white of the paper.
JOHN BERGER

Lot Me Out Paper Returning Take White
We can become anything. That is why injustice is impossible here. There may be the accident of birth, there is no accident of death. Nothing forces us to remain what we were.
JOHN BERGER

Accident Anything Birth Impossible Injustice May Nothing Remain
All publicity works upon anxiety.
JOHN BERGER

Anxiety Publicity Upon Work
If the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger.
JOHN BERGER

Contribute Memories Photograph Stranger Unknowable
Seeing comes before words. The child looks and recognizes before it can speak.
JOHN BERGER

Children Looks Speak Recognize Word
Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place.
JOHN BERGER

Achievement Behind Deceptive Landscape Life Seem Setting Sometimes Struggle Success
The envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.
JOHN BERGER

Bureaucrat Envied Envy Greater Illusion Power Themselves

Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.

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Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.

Related Topics

Popular Authors

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