A tactic which allows people, as distinct from their elected but often craven governments, to apply a certain pressure on those wielding power in what they, the boycotters, consider to be an unjust or immoral way.
JOHN BERGERWe follow songs in order to be enclosed. We find ourselves inside a message.
More John Berger Quotes
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Nothing fortuitous happens in a child’s world. There are no accidents. Everything is connected with everything else and everything can be explained by everything else. . . . For a young child everything that happens is a necessity.
JOHN BERGER -
We who draw do so not only to make something observed visible to others, but also to accompany something invisible to its incalculable destination
JOHN BERGER -
The existence of pleasure is the first mystery. The existence of pain has prompted far more philosophical speculation.
JOHN BERGER -
Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place.
JOHN BERGER -
Yet nowherein a zoo can a stranger encounter the look of an animal. At the most, the animal’s gaze flickers and passes on. They look sideways. They look blindly beyond.
JOHN BERGER -
The zoo cannot but disappoint.
JOHN BERGER -
Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.
JOHN BERGER -
When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
JOHN BERGER -
For me, drawing is a lot to do with taking out, with returning to the white of the paper.
JOHN BERGER -
(The sight of it as an object stimulates the use of it as an object.) Nakedness reveals itself. Nudity is placed on display. To be naked is to be without disguises.
JOHN BERGER -
When we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss.
JOHN BERGER -
The true content of a photograph is invisible, for it derives from a play, not with form, but with time.
JOHN BERGER -
For the Cro-Magnons, space is a metaphysical arena of continually intermittent appearances and disappearances.
JOHN BERGER -
Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.
JOHN BERGER -
The century of people helplessly seeing others, who were close to them, disappear over the horizon.
JOHN BERGER