Fear is our deepest and strongest emotion, and the one which best lends itself to the creation of nature-defying illusions.
H. P. LOVECRAFTBlue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent.
More H. P. Lovecraft Quotes
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Life is a hideous thing, and from the background behind what we know of it peer daemoniacal hints of truth which make it sometimes a thousandfold more hideous.
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Horrors, I believe, should be original – the use of common myths and legends being a weakening influence.
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Never should an unfamiliar word be passed over without elucidation, for, with a little conscientious research, we may each day add to our conquests in the realm of philology and become more and more ready for graceful independent expression.
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It would not be amiss for the novice to write the last paragraph of his story first, once a synopsis of the plot has been carefully prepared – as it always should be.
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I am essentially a recluse who will have very little to do with people wherever he may be. I think that most people only make me nervous – that only by accident, and in extremely small quantities, would I ever be likely to come across people who wouldn’t.
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Bunch together a group of people deliberately chosen for strong religious feelings, and you have a practical guarantee of dark morbidities expressed in crime, perversion, and insanity.
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No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce.
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The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.
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Man’s respect for the imponderables varies according to his mental constitution and environment. Through certain modes of thought and training, it can be elevated tremendously, yet there is always a limit.
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Children, old crones, peasants, and dogs ramble; cats and philosophers stick to their point.
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All of my tales are based on the fundamental premise that common human laws and emotions have no validity or significance in the cosmos-at-large.
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I am not very proud of being an human being; in fact, I distinctly dislike the species in many ways. I can readily conceive of beings vastly superior in every respect.
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Write out the story – rapidly, fluently, and not too critically – following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.
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The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from everyday life.
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Toil without song is like a weary journey without an end.
H. P. LOVECRAFT






