My nervous system is a shattered wreck, and I am absolutely bored and listless save when I come upon something which peculiarly interests me.
H. P. LOVECRAFTBlue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent.
More H. P. Lovecraft Quotes
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In writing a weird story, I always try very carefully to achieve the right mood and atmosphere and place the emphasis where it belongs.
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Write out the story – rapidly, fluently, and not too critically – following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.
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Very few minds are strictly normal, and all religious fanatics are marked with abnormalities of various sorts.
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I have concluded that Literature is no proper pursuit for a gentleman and that Writing ought never to be consider’d but as an elegant Accomplishment to be indulg’d in with infrequency and Discrimination.
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Orthodox Christianity, by playing upon the emotions of man, is able to accomplish wonders toward keeping him in order and relieving his mind. It can frighten or cajole him away from evil more effectively than could reason.
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Cosmic terror appears as an ingredient of the earliest folklore of all races and is crystallised in the most archaic ballads, chronicles, and sacred writings.
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But more wonderful than the lore of old men and the lore of books is the secret lore of ocean.
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I couldn’t live a week without a private library – indeed, I’d part with all my furniture and squat and sleep on the floor before I’d let go of the 1500 or so books I possess.
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If I could create an ideal world, it would be an England with the fire of the Elizabethans, the correct taste of the Georgians, and the refinement and pure ideals of the Victorians.
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Horrors, I believe, should be original – the use of common myths and legends being a weakening influence.
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Ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time.
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The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.
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To me, there is nothing but puerility in a tale in which the human form – and local human passions and conditions and standards – are depicted as native to other worlds and universes.
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That metre itself forms an essential part of all true poetry is a principle which not even the assertions of an Aristotle or the pronouncements of a Plato can disestablish.
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Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or ‘outsideness’ without laying stress on the emotion of fear.
H. P. LOVECRAFT