It is easy to remove the mind from harping on the lost illusion of immortality. The disciplined intellect fears nothing and craves no sugar-plum at the day’s end, but is content to accept life and serve society as best it may.
H. P. LOVECRAFTI am essentially a recluse who will have very little to do with people wherever he may be. I think that most people only make me nervous – that only by accident, and in extremely small quantities, would I ever be likely to come across people who wouldn’t.
More H. P. Lovecraft Quotes
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Horrors, I believe, should be original – the use of common myths and legends being a weakening influence.
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Imagination is a very potent thing, and in the uneducated often usurps the place of genuine experience.
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It is a mistake to fancy that horror is associated inextricably with darkness, silence, and solitude.
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One superlatively important effect of wide reading is the enlargement of vocabulary which always accompanies it.
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The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.
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One can never produce anything as terrible and impressive as one can awesomely hint about.
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I could not write about ‘ordinary people’ because I am not in the least interested in them.
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Man’s respect for the imponderables varies according to his mental constitution and environment. Through certain modes of thought and training, it can be elevated tremendously, yet there is always a limit.
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The sole ultimate factor in human decisions is physical force. This we must learn, however repugnant the idea may seem, if we are to protect ourselves and our institutions. Reliance on anything else is fallacious and ruinous.
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Cosmic terror appears as an ingredient of the earliest folklore of all races and is crystallised in the most archaic ballads, chronicles, and sacred writings.
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It would not be amiss for the novice to write the last paragraph of his story first, once a synopsis of the plot has been carefully prepared – as it always should be.
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The cat is such a perfect symbol of beauty and superiority that it seems scarcely possible for any true aesthete and civilised cynic to do other than worship it.
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Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or ‘outsideness’ without laying stress on the emotion of fear.
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Toil without song is like a weary journey without an end.
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Throw a stick, and the servile dog wheezes and pants and shambles to bring it to you. Do the same before a cat, and he will eye you with coolly polite and somewhat bored amusement.
H. P. LOVECRAFT