Children, old crones, peasants, and dogs ramble; cats and philosophers stick to their point.
H. P. LOVECRAFTThe man or nation of high culture may acknowledge to great lengths the restraints imposed by conventions and honour, but beyond a certain point, primitive will or desire cannot be curbed.
More H. P. Lovecraft Quotes
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I fear my enthusiasm flags when real work is demanded of me.
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It is a mistake to fancy that horror is associated inextricably with darkness, silence, and solitude.
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The earliest English attempts at rhyming probably included words whose agreement is so slight that it deserves the name of mere ‘assonance’ rather than that of actual rhyme.
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In writing a weird story, I always try very carefully to achieve the right mood and atmosphere and place the emphasis where it belongs.
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That metre itself forms an essential part of all true poetry is a principle which not even the assertions of an Aristotle or the pronouncements of a Plato can disestablish.
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If I could create an ideal world, it would be an England with the fire of the Elizabethans, the correct taste of the Georgians, and the refinement and pure ideals of the Victorians.
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All of my tales are based on the fundamental premise that common human laws and emotions have no validity or significance in the cosmos-at-large.
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One can never produce anything as terrible and impressive as one can awesomely hint about.
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There be those who say that things and places have souls, and there be those who say they have not; I dare not say, myself, but I will tell of The Street.
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The process of delving into the black abyss is to me the keenest form of fascination.
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From my experience, I cannot doubt but that man, when lost to terrestrial consciousness, is indeed sojourning in another and uncorporeal life of far different nature from the life we know; and of which only the slightest and most indistinct memories linger after waking.
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Write out the story – rapidly, fluently, and not too critically – following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.
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Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent.
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The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from everyday life.
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The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.
H. P. LOVECRAFT