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I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.

Guillermo del Toro

I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
GUILLERMO DEL TORO

Eye Sound Thinking
People think you’re like The Godfather, waiting for scripts to come in. But, you’re hustling, you’re desperate, you’re panicked and you’re horrified. The movie you think you’re going to do next, you don’t do. The movie you think you’re never going to do, you make.
GUILLERMO DEL TORO

People Thinking Waiting
There is beautiful in the grotesque.
GUILLERMO DEL TORO

Beautiful Grotesque Happen
Somebody said to me, in a very well-meaning way, at a screening, “We love the movie but it’s too violent. If you tone down the violence you could reach a great audience of kids.”.
GUILLERMO DEL TORO

Kids Violence Violent
You think if you work hard enough, you can fix the precious things you’ve broken – rather than being careful with them in the first place.
GUILLERMO DEL TORO

Broken Hard Thinking Work
There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
GUILLERMO DEL TORO

Done Portraits Style
I think making small movies reminds you of the effort. When you make big movies, the effort is to fight for freedom. When you make small movies, the effort is making the day, making the budget, and it’s great, too.
GUILLERMO DEL TORO

Effort Fighting Thinking
Genius is the true mystery, and at its edge–the abyss.
GUILLERMO DEL TORO

Abyss Genius Mystery
At some point, in order to gain his identity, the kid goes “I’m not my dad” or “I’m not my mom.”
GUILLERMO DEL TORO

Dad Kids Mom
I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.
GUILLERMO DEL TORO

Block Retreat Want
I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.
GUILLERMO DEL TORO

Character House Needs
I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.
GUILLERMO DEL TORO

Horror People Thinking
If you’re doing a big spectacle film, you’ve got to be mindful of large masses. Even then, you’ve got to be responsible only to your storytelling.
GUILLERMO DEL TORO

Film Responsible Storytelling
We’re in three living groups, ’cause even after the world’s ended some assholes still can’t get along.
GUILLERMO DEL TORO

Groups Three World
Power revealed is power sacrificed. The truly powerful exert their influence in ways unseen, unfelt. Some would say that a thing visible is a thing vulnerable.
GUILLERMO DEL TORO

Powerful Unseen Way
I only produce directors and movies that I have a lot in common with.
GUILLERMO DEL TORO

Common Directors Produce

I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.

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I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.

Related Topics

Popular Authors

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