Either it is the fold of the infinite, or the constant folds [replis] of finitude which curve the outside and constitute the inside.
GILLES DELEUZEExternal images act on me, transmit movement to me, and I return movement: how could images be in my consciousness since I am myself image, that is, movement?
More Gilles Deleuze Quotes
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Something in the world forces us to think. This something is an object not of recognition but of a fundamental encounter.
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The aim of critique is not the ends of man or of reason but in the end the Overman, the overcome, overtaken man. The point of critique is not justification but a different way of feeling: another sensibility.
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The self is only a threshold, a door, a becoming between two multiplicities.
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What interests us in operations of striation and smoothing are precisely the passages or combinations: how the forces at work within space continually striate it, and how in the course of its striation it develops other forces and emits new smooth spaces.
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I believe strongly that philosophy has nothing to do with specialists.
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Every time someone puts an objection to me, I want to say: ‘OK, OK, let’s go on to something else.’ Objections have never contributed anything.
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Philosophy, art, and science are not the mental objects of an objectified brain but the three aspects under which the brain becomes subject.
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My eye, my brain, are images, parts of my body. How could my brain contain images since it is one image among others?
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Images exist; things themselves are images… Images constantly act on and react to one another, produce and consume. There is no difference between images, things and movement.
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Writing has nothing to do with meaning. It has to do with landsurveying and cartography, including the mapping of countries yet to come.
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Forming grammatically correct sentences is for the normal individual the prerequisite for any submission to social laws. No one is supposed to be ignorant of grammaticality; those who are belong in special institutions. The unity of language is fundamentally political.
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The plane of consistency is the abolition of all metaphor; all that consists is Real.
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There’s no democratic state that’s not compromised to the very core by its part in generating human misery.
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Write, form a rhizome, increase your territory by deterritorialization, extend the line of flight to the point where it becomes an abstract machine covering the entire plane of consistency.
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External images act on me, transmit movement to me, and I return movement: how could images be in my consciousness since I am myself image, that is, movement?
GILLES DELEUZE