Something in the world forces us to think. This something is an object not of recognition but of a fundamental encounter.
GILLES DELEUZEEither it is the fold of the infinite, or the constant folds [replis] of finitude which curve the outside and constitute the inside.
More Gilles Deleuze Quotes
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The shame of being a man – is there any better reason to write?
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As for being responsible or irresponsible, we don’t recognize those notions, they’re for policemen and courtroom psychiatrists.
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Nietzsche’s break with Schopenhauer rests on precisely this point; it is a matter of knowing whether the will is unitary or multiple.
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One of the principal motifs of Nietzsche’s work is that Kant had not carried out a true critique because he was not able to pose the problem of critique in terms of values.
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The fundamental problem of political philosophy is still precisely the one that Spinoza saw so clearly (and that Wilhelm Reich rediscovered): Why do men fight for their servitude as stubbornly as though it were their salvation?
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Intuition is neither a feeling, an inspiration nor a disorderly sympathy but a fully developed method.
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Photography, if there is photography, is already snapped, already shot, in the very interior of things and for all points of space.
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Writing has nothing to do with meaning. It has to do with landsurveying and cartography, including the mapping of countries yet to come.
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There’s no democratic state that’s not compromised to the very core by its part in generating human misery.
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Let us create extraordinary words, on condition that they be put to the most ordinary use and that the entity they designate be made to exist in the same way as the most common object.
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Underneath all reason lies delirium and drift.
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It is not the slumber of reason that engenders monsters, but vigilant and insomniac rationality
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It is always from the depths of its impotence that each power center draws its power, hence their extreme maliciousness, and vanity.
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You never walk alone. Even the devil is the lord of flies.
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Psychoanalysts are bent on producing man abstractly, that is to say ideologically, for culture. It is Oedipus who produces man in this fashion and who gives a structure to the false movement of infinite progression and regression.
GILLES DELEUZE