Psychoanalysts are bent on producing man abstractly, that is to say ideologically, for culture. It is Oedipus who produces man in this fashion and who gives a structure to the false movement of infinite progression and regression.
GILLES DELEUZEWriting has nothing to do with meaning. It has to do with landsurveying and cartography, including the mapping of countries yet to come.
More Gilles Deleuze Quotes
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Reading something from beginning to end. That is reading with love.
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Intuition is neither a feeling, an inspiration nor a disorderly sympathy but a fully developed method.
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Forming grammatically correct sentences is for the normal individual the prerequisite for any submission to social laws. No one is supposed to be ignorant of grammaticality; those who are belong in special institutions. The unity of language is fundamentally political.
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Photography, if there is photography, is already snapped, already shot, in the very interior of things and for all points of space.
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The morality of customs,the spirit of the laws, produces the man emancipated from the law.
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A tyrant institutionalises stupidity, but he is the first servant of his own system and the first to be installed within it.
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It is not the slumber of reason that engenders monsters, but vigilant and insomniac rationality
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There’s no need to fear or hope, but only to look for new weapons.
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As for being responsible or irresponsible, we don’t recognize those notions, they’re for policemen and courtroom psychiatrists.
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What interests us in operations of striation and smoothing are precisely the passages or combinations: how the forces at work within space continually striate it, and how in the course of its striation it develops other forces and emits new smooth spaces.
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Is it not first through the voice that one becomes animal?
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Either it is the fold of the infinite, or the constant folds [replis] of finitude which curve the outside and constitute the inside.
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belief is necessarily something false that diverts and suffocates effective production.
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It’s not easy to see things from the middle, rather than looking down on them from above or up at them from below, or from left to right or right to left: try it, you’ll see that everything changes.
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In order for music to free itself, it will have to pass over to the other side – there where territories tremble, where the structures collapse, where the ethoses get mixed up, where a powerful song of the earth is unleashed, the great ritornelles that transmutes all the airs it carries away and makes return.
GILLES DELEUZE