Forming grammatically correct sentences is for the normal individual the prerequisite for any submission to social laws. No one is supposed to be ignorant of grammaticality; those who are belong in special institutions. The unity of language is fundamentally political.
GILLES DELEUZEEvery time someone puts an objection to me, I want to say: ‘OK, OK, let’s go on to something else.’ Objections have never contributed anything.
More Gilles Deleuze Quotes
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The aim of critique is not the ends of man or of reason but in the end the Overman, the overcome, overtaken man. The point of critique is not justification but a different way of feeling: another sensibility.
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The philosopher creates, he doesn’t reflect.
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One of the principal motifs of Nietzsche’s work is that Kant had not carried out a true critique because he was not able to pose the problem of critique in terms of values.
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My eye, my brain, are images, parts of my body. How could my brain contain images since it is one image among others?
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Let us create extraordinary words, on condition that they be put to the most ordinary use and that the entity they designate be made to exist in the same way as the most common object.
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A concept is a brick. It can be used to build a courthouse of reason. Or it can be thrown through the window.
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Philosophy, art, and science are not the mental objects of an objectified brain but the three aspects under which the brain becomes subject.
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Photography, if there is photography, is already snapped, already shot, in the very interior of things and for all points of space.
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Philosophy is not in a state of external reflection on other domains, but in a state of active and internal alliance with them, and it is neither more abstract nor more difficult.
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The shame of being a man – is there any better reason to write?
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The fundamental problem of political philosophy is still precisely the one that Spinoza saw so clearly (and that Wilhelm Reich rediscovered): Why do men fight for their servitude as stubbornly as though it were their salvation?
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Evaluations, in essence, are ways of being, modes of existence of those who judge and evaluate.
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The shadow escapes from the body like an animal we had been sheltering.
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What interests us in operations of striation and smoothing are precisely the passages or combinations: how the forces at work within space continually striate it, and how in the course of its striation it develops other forces and emits new smooth spaces.
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Intuition is neither a feeling, an inspiration nor a disorderly sympathy but a fully developed method.
GILLES DELEUZE