For me, ‘Diamond Necklace’ is a commercial attempt, as it has songs and glamour.
FAHADH FAASILAs an actor, you create a character from your understanding of what you have heard and your observations. Eventually, every film is an extension of the images that I have seen or what I have heard or read somewhere.
More Fahadh Faasil Quotes
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I believe that anyone with a bit of guidance can act.
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I like movies made by Spike Lee – doing those films out of the U.S., that is really daring.
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As an actor, you create a character from your understanding of what you have heard and your observations. Eventually, every film is an extension of the images that I have seen or what I have heard or read somewhere.
FAHADH FAASIL -
The only thing my famous last name got me was a foothold in the industry. That was the easy part. The biggest problem is survival. As Fazil’s son, I am expected to know everything – acting, dancing, horse riding… I am not trained in all these, and I don’t think I ever will be.
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I am an actor, and I would like to reinvent myself through every character that I portray.
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I will continue to do films that excite me.
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Mistakes happen, and then you try to overcome those. I like that process.
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I am not affected or carried away by success or failure.
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I do only what I like. If we do something we don’t like, we will become someone else.
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I thoroughly enjoyed shooting for ‘Velaikkaran,’ and I made a great friend in Sivakarthikeyan during the process. Also, it was wonderful working with director Mohan Raja. I have not seen a director who takes so much effort to get things the best way possible.
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I often see only my mistakes. I always feel I could have done better. Every artist goes through it.
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People know me through my characters. I don’t think they have any idea about the individual that I am. They know I am a director’s son, and I am married to an actress.
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People often ask whether marriage has changed me. I didn’t marry because I had to change.
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In Malayalam, I can improvise, and acting is easy because I think in Malayalam, but for ‘Velaikkaran,’ I had to prepare for a role, which is a first for me.
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I have been fortunate to collaborate with people who have been open to discussion. If I tell them something, they have always explained to me why they want it the other way.
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The five directors in ‘5 Sundarikal’ experimented, and it was a very personal exercise. Amal, Anwar, Aashiq, and Sameer have done things that they have never done before. Debutant Shyju has also made a beautiful film.
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There are two kinds of films: the ones that are devoid of logic but can still hijack the audience, and those that can win them over with logic. Both kinds can succeed, and I like to work in both.
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Mohan Raja is an interesting filmmaker. He is constantly, if I may use the word, contradicting himself. He explains a scene, and then he will try to break that and rebuild it. That, to me, is filmmaking. Every scene is constructed after a lot of discussions.
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I think it would be a dream for any actor to play someone like Changampuzha.
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I want the audience to watch my films, and that is what I value more than any awards.
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I wasn’t really sure about the kind of films I wanted to be a part of. That’s when I saw ‘Aaranya Kaandam.’ I was stunned; it was such a stylish film.
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I feel that entertainment happens when fact and fiction is balanced.
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I am a bad boy. I don’t come across clearly to a lot of people, so I am bad for them.
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When I began acting, my biggest fear was whether the audience will appreciate the kind of films I do.
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Every character, when it comes to a cinematic representation, gets complicated and layered. You are given a lot of dimensions than a single dimension to an individual. That’s the main difference between seeing something out of the window and seeing something on screen.
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I think everything is temporary.
FAHADH FAASIL