Every character, when it comes to a cinematic representation, gets complicated and layered. You are given a lot of dimensions than a single dimension to an individual. That’s the main difference between seeing something out of the window and seeing something on screen.
FAHADH FAASILI want my films to make money first. Awards and all can come later.
More Fahadh Faasil Quotes
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As an actor, you create a character from your understanding of what you have heard and your observations. Eventually, every film is an extension of the images that I have seen or what I have heard or read somewhere.
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My films may not have a great opening, but I am not bothered about it. Whatever the numbers be, I want those viewers who come for my films to be excited about watching the movie.
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I like to laugh and to make people laugh.
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My thought process is in Malayalam. So, every time I have to work outside Malayalam, the process is a little stressful. I have to translate my Malayalam thoughts into English and back to Tamil.
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The only thing my famous last name got me was a foothold in the industry. That was the easy part. The biggest problem is survival. As Fazil’s son, I am expected to know everything – acting, dancing, horse riding… I am not trained in all these, and I don’t think I ever will be.
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I am an actor, and I would like to reinvent myself through every character that I portray.
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Mistakes happen, and then you try to overcome those. I like that process.
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I want the audience to watch my films, and that is what I value more than any awards.
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My father hasn’t backed me in any way, and I don’t think anybody has backed me.
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Roles don’t fascinate me. It is the narrative, the screenplay that is fascinating.
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I’ve always wanted to do a role based on a real-life person.
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People know me through my characters. I don’t think they have any idea about the individual that I am. They know I am a director’s son, and I am married to an actress.
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When I began acting, my biggest fear was whether the audience will appreciate the kind of films I do.
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I listened to the script of ‘Carbon’ at the end of 2014. I liked it the moment I heard it. I wanted to do it.
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For me, ‘Diamond Necklace’ is a commercial attempt, as it has songs and glamour.
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I’m not a person who goes out of my way to change my look. I like my characters to look as natural as possible.
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There are two kinds of films: the ones that are devoid of logic but can still hijack the audience, and those that can win them over with logic. Both kinds can succeed, and I like to work in both.
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When you are talking about human emotions, stardom doesn’t matter.
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I never wanted to be an actor but ended up being one.
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The closest encounter I had with films in my childhood was sitting on the lap of my father at a shooting set, and he would say ‘rain,’ and it started raining, and then he would say ‘song,’ and people started dancing. I thought I was sitting on God’s lap.
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When I choose the scripts, all I look forward to is an impressive narration.
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I have always maintained that the audience should take a call on this. Its up to them to decide whether they want to see a pirated version or not. They should understand the effort and amount of hard work that go into a film.
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Mohan Raja is an interesting filmmaker. He is constantly, if I may use the word, contradicting himself. He explains a scene, and then he will try to break that and rebuild it. That, to me, is filmmaking. Every scene is constructed after a lot of discussions.
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I am not affected or carried away by success or failure.
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All I want to do is to make movies that are appealing to people.
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I am a person who doesn’t like responsibility of any kind. But I do enjoy what I do.
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