It’s the failure of my debut film which made me an actor, which made me want to succeed in the industry. But that doesn’t mean I regret whatever choices I’ve made over the years. No, not even ‘Kaiyethum Doorathu!’
FAHADH FAASILFailure affects me hard.
More Fahadh Faasil Quotes
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I have grown up seeing success and failure.
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I never wanted to be an actor but ended up being one.
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I’m an actor who evolves once the shoot starts.
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I am not affected or carried away by success or failure.
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I would like to do movies of all genres.
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Let me make something clear: I can’t do anything in particular to make others laugh. I do what is necessary for a character. The body language of the character may make others laugh.
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There are two kinds of films: the ones that are devoid of logic but can still hijack the audience, and those that can win them over with logic. Both kinds can succeed, and I like to work in both.
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When I listen to a basic thought, I try to visualise the cinema in it. Sometimes it is dark, sometimes boyish, sometimes amateurish. It is a trial and error method. But the bottom line is that I want to entertain the audience.
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I will happily sit at home and take care of the house.
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It feels good to hear good things about yourself.
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I have been fortunate to collaborate with people who have been open to discussion. If I tell them something, they have always explained to me why they want it the other way.
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I believe that anyone with a bit of guidance can act.
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When I began acting, my biggest fear was whether the audience will appreciate the kind of films I do.
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It doesn’t matter to me how I look on screen. What matters to me is how I connect with the audience.
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For me, ‘Diamond Necklace’ is a commercial attempt, as it has songs and glamour.
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Whenever I have really enjoyed being part of a film, it has worked well for me.
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I try to choose characters that don’t remind the audience of my previous roles. I make a conscious effort for that.
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I’ve done only things I’ve liked, and I’m happy that others have liked them, too. I hope it keeps going that way. But l would never want to do films which please just one set of audience; they should connect with everyone.
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I want my films to make money first. Awards and all can come later.
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I listened to the script of ‘Carbon’ at the end of 2014. I liked it the moment I heard it. I wanted to do it.
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My thought process is in Malayalam. So, every time I have to work outside Malayalam, the process is a little stressful. I have to translate my Malayalam thoughts into English and back to Tamil.
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I will continue to do films that excite me.
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Mistakes happen, and then you try to overcome those. I like that process.
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I wasn’t really sure about the kind of films I wanted to be a part of. That’s when I saw ‘Aaranya Kaandam.’ I was stunned; it was such a stylish film.
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Every character, when it comes to a cinematic representation, gets complicated and layered. You are given a lot of dimensions than a single dimension to an individual. That’s the main difference between seeing something out of the window and seeing something on screen.
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I often see only my mistakes. I always feel I could have done better. Every artist goes through it.
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