I have always maintained that the audience should take a call on this. Its up to them to decide whether they want to see a pirated version or not. They should understand the effort and amount of hard work that go into a film.
FAHADH FAASILLet me make something clear: I can’t do anything in particular to make others laugh. I do what is necessary for a character. The body language of the character may make others laugh.
More Fahadh Faasil Quotes
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For me, ‘Diamond Necklace’ is a commercial attempt, as it has songs and glamour.
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It’s the failure of my debut film which made me an actor, which made me want to succeed in the industry. But that doesn’t mean I regret whatever choices I’ve made over the years. No, not even ‘Kaiyethum Doorathu!’
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The five directors in ‘5 Sundarikal’ experimented, and it was a very personal exercise. Amal, Anwar, Aashiq, and Sameer have done things that they have never done before. Debutant Shyju has also made a beautiful film.
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I know it’s a big gamble, but I want to do good films.
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I would like to look funny on screen, doing comedy.
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I am not affected or carried away by success or failure.
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If I do a film, I go to the place where it is based on, interact with people, and then, I believe, you pick up things without you even noticing.
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When I am with my friends, I am comfortable.
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I will happily sit at home and take care of the house.
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The closest encounter I had with films in my childhood was sitting on the lap of my father at a shooting set, and he would say ‘rain,’ and it started raining, and then he would say ‘song,’ and people started dancing. I thought I was sitting on God’s lap.
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I have been fortunate to collaborate with people who have been open to discussion. If I tell them something, they have always explained to me why they want it the other way.
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My films may not have a great opening, but I am not bothered about it. Whatever the numbers be, I want those viewers who come for my films to be excited about watching the movie.
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When I began acting, my biggest fear was whether the audience will appreciate the kind of films I do.
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Mohan Raja is an interesting filmmaker. He is constantly, if I may use the word, contradicting himself. He explains a scene, and then he will try to break that and rebuild it. That, to me, is filmmaking. Every scene is constructed after a lot of discussions.
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There are two kinds of films: the ones that are devoid of logic but can still hijack the audience, and those that can win them over with logic. Both kinds can succeed, and I like to work in both.
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I don’t know how to be professional. But I always enjoy what I do.
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My father hasn’t backed me in any way, and I don’t think anybody has backed me.
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I thoroughly enjoyed shooting for ‘Velaikkaran,’ and I made a great friend in Sivakarthikeyan during the process. Also, it was wonderful working with director Mohan Raja. I have not seen a director who takes so much effort to get things the best way possible.
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Mistakes happen, and then you try to overcome those. I like that process.
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I feel that entertainment happens when fact and fiction is balanced.
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I have never been 100% confident that I am right about anything.
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The characters I portray are an extension of what I’ve seen, heard, or read, and so what you see in my films are how I understand life.
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I listened to the script of ‘Carbon’ at the end of 2014. I liked it the moment I heard it. I wanted to do it.
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I will continue to do films that excite me.
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People know me through my characters. I don’t think they have any idea about the individual that I am. They know I am a director’s son, and I am married to an actress.
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When I listen to a basic thought, I try to visualise the cinema in it. Sometimes it is dark, sometimes boyish, sometimes amateurish. It is a trial and error method. But the bottom line is that I want to entertain the audience.
FAHADH FAASIL