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I’m Godless. And so I’ve had to make my God, and my God is narrative filmmaking, which is — ultimately what my God becomes, which is what my mantra becomes, is the theme.

Darren Aronofsky

CGI means, just to be clear, creating any type of image with a computer. Basically, starting off with nothing, or with images and manipulating them.
DARREN ARONOFSKY

Creating Growing Mean
When people think about the ark, they’re always thinking about all the thousands of years of religious iconography of a ship with a bow and a deck, where Noah and the giraffes could walk around. In the actual written text it is basically described as a long, rectangular box.
DARREN ARONOFSKY

Long Religious Thinking
I’m Godless. And so I’ve had to make my God, and my God is narrative filmmaking, which is — ultimately what my God becomes, which is what my mantra becomes, is the theme.
DARREN ARONOFSKY

Filmmaking Narrative Theme
The ’90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the ’90s than they were in the ’80s. The ’90s was Ecstasy, the ’80s was yuppies.
DARREN ARONOFSKY

Definitely Mean Party People
I spent about a year and a half doing technical post work on ‘The Fountain’. Although I do like the process, I think my favorite part of filmmaking is the actors.
DARREN ARONOFSKY

Actors Thinking Years
I’ve always wanted to introduce hip-hop filmmaking to film. There’s hip-hop art, dance, music, but there really isn’t hip-hop film. So I was trying to do that.
DARREN ARONOFSKY

Art Hip Hop Movie Music
I feel that so many sci-fi films and films in general have just become really dependent on and addicted to CGI, and that some of the big CGI films of the summer, you see these effects that look like crap.
DARREN ARONOFSKY

Fall Real Summer
Animators have to live life 24 times as long as we do – every 24 frames of a second.
DARREN ARONOFSKY

Chance Life Live Long Second
At the end of Requiem all I wanted to do was get a DV camera and just do a small film. But then the hunger comes back.
DARREN ARONOFSKY

Cameras Film Hunger
I wasn’t a big fan of social anthropology. And, luckily, that created room for me to work in visual arts because I sort of ignored my requirements. I think I was attracted to social anthropology because I liked to travel and was always interested in far-off places.
DARREN ARONOFSKY

Art Fans Thinking
I was 12 or 13 years old. So I started to write poetry and fiction, even though I was really into biology because my dad was a science teacher. I kept writing all those years.
DARREN ARONOFSKY

Dad Kept Poetry Teacher Writing
To me, watching a movie is like going to an amusement park. My worst fear is making a film that people don’t think is a good ride.
DARREN ARONOFSKY

Amusement People Thinking
Also expressionistic filmmaking – making the audience feel like they were inside the characters’ heads. And so we create all these different types of techniques to put the audience there.
DARREN ARONOFSKY

Character Different Technique
There was that whole Ecstasy culture. People were having a pretty good time in the ’90s.
DARREN ARONOFSKY

Ecstasy Goodtime
I think it’s important as a filmmaker, as any person working in the arts, that you’ve got to try new stuff and challenge yourself and take chances.
DARREN ARONOFSKY

Art Challenges Thinking
I couldn’t sleep one night and I was sitting in my office and I realized that I was an independent filmmaker.
DARREN ARONOFSKY

Inspiring Movie Sleep

I’m Godless. And so I’ve had to make my God, and my God is narrative filmmaking, which is — ultimately what my God becomes, which is what my mantra becomes, is the theme.

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I’m Godless. And so I’ve had to make my God, and my God is narrative filmmaking, which is — ultimately what my God becomes, which is what my mantra becomes, is the theme.

Related Topics

Popular Authors

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