black
grey
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I let a good many mistakes show through when fixing my sensations. It will always be the same and this is what makes me despair.

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Despair God Mistake Myself Sensation

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Light is the most important person in the picture.
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Never, even as a child, would I bend to a rule.
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The light constantly changes, and that alters the atmosphere and beauty of things every minute.
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Despite my extremely modest prices, dealers and art lovers are turning their backs on me. It is very depressing to see the lack of interest shown in an art object which has no market value.
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It’s on the strength of observation and reflection that one finds a way. So we must dig and delve unceasingly.
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I’m never finished with my paintings; the further I get, the more I seek the impossible and the more powerless I feel.
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The real subject of every painting is light.
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It is a tragedy that we live in a world where physical courage is so common, and moral courage is so rare.
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I would advise young artists to paint as they can, as long as they can, without being afraid of painting badly.
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For me, the subject is of secondary importance: I want to convey what is alive between me and the subject.
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I perhaps owe having become a painter to flowers.
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Impressionism is only direct sensation. All great painters were less or more impressionists. It is mainly a question of instinct, and much simpler than [John Singer] Sargent thinks.
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Colors pursue me like a constant worry. They even worry me in my sleep.
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Lots of people will protest that it’s quite unreal and that I’m out of my mind, but that’s just too bad.
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The richness I achieve comes from nature, the source of my inspiration.
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I still don’t know where I am going to sleep tomorrow.
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