It is better to have done something than to have been someone.
CLAUDE MONETIt’s enough to drive you crazy, trying to depict the weather, the atmosphere, the ambience.
More Claude Monet Quotes
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I am following Nature without being able to grasp her, I perhaps owe having become a painter to flowers.
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Listening only to my instincts, I discovered superb things.
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Getting up at 4 in the morning, I slave away all day until by the evening I’m exhausted, and I end by forgetting all my responsibilities, thinking only of the work I’ve set out to do.
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I still have a lot of pleasure doing them, but as time goes by I come to appreciate more clearly which paintings are good and which should be discarded.
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I’m enjoying the most perfect tranquillity, free from all worries, and in consequence would like to stay this way forever, in a peaceful corner of the countryside like this.
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Now I really feel the landscape, I can be bold and include every tone of pink and blue: it’s enchanting, it’s delicious, and I hope it will please you.
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I would like to paint the way a bird sings.
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I’m knocked out, I’ve never felt so physically and mentally exhausted, I’m quite stupid with it and long only for bed; but I am happy.
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Apart from painting and gardening, I’m not good at anything.
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I’ve done what I could as a painter and that seems to me to be sufficient. I don’t want to be compared to the great masters of the past, and my painting is open to criticism; that’s enough.
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I will bring lots of studies back with me so I can work on some big things at home.
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I am good at only two things, and those are gardening and painting.
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The light constantly changes, and that alters the atmosphere and beauty of things every minute.
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It is a tragedy that we live in a world where physical courage is so common, and moral courage is so rare.
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I can only draw what I see.
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If only the weather would improve, there’d be hope of some work, but every day brings rain.
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I’ve said it before and can only repeat that I owe everything to Boudin and I attribute my success to him. I came to be fascinated by his studies, the products of what I call instantaneity.
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To see we must forget the name of the thing we are looking at.
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I don’t think I’m made for any earthly kind of pleasure.
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I haven’t many years left ahead of me and I must devote all my time to painting, in the hope of achieving something worthwhile in the end, something if possible that will satisfy me.
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Take clear water with grass waving at the bottom. It’s wonderful to look at, but to try to paint it is enough to make one insane.
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Nature won’t be summoned to order and won’t be kept waiting. It must be caught, well caught.
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The richness I achieve comes from nature, the source of my inspiration.
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I’m not performing miracles, I’m using up and wasting a lot of paint.
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My eyes were finally opened and I understood nature. I learned at the same time to love it.
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For me, the subject is of secondary importance: I want to convey what is alive between me and the subject.
CLAUDE MONET