I’m knocked out, I’ve never felt so physically and mentally exhausted, I’m quite stupid with it and long only for bed; but I am happy.
CLAUDE MONETWhen I look at nature I feel as if I’ll be able to paint it all, note it all down, and then you might as well forget it once you’re working.
More Claude Monet Quotes
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For me, the subject is of secondary importance: I want to convey what is alive between me and the subject.
CLAUDE MONET -
While adding the finishing touches to a painting might appear insignificant, it is much harder to do than one might suppose.
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The more I live, the more I regret how little i know.
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Despite my exhaustion I have a devil of a time getting to sleep because of the rats above my bed and a pig who lives beneath my room.
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Everyone discusses my art and pretends to understand, as if it were necessary to understand, when it is simply necessary to love.
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I’m not performing miracles, I’m using up and wasting a lot of paint.
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Despite my extremely modest prices, dealers and art lovers are turning their backs on me. It is very depressing to see the lack of interest shown in an art object which has no market value.
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The richness I achieve comes from nature, the source of my inspiration.
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I must have flowers, always, and always.
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My life has been nothing but a failure.
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Impressionism is only direct sensation. All great painters were less or more impressionists. It is mainly a question of instinct, and much simpler than [John Singer] Sargent thinks.
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Listening only to my instincts, I discovered superb things.
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I do what I can to convey what I experience before nature and most often, in order to succeed in conveying what I feel, I totally forget the most elementary rules of painting, if they exist that is.
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I’m in fine fettle and fired with a desire to paint.
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I waited for the idea to consolidate, for the grouping and composition of themes to settle themselves in my brain.
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I’m in a foul mood as I’m making stupid mistakes… This morning I lost beyond repair a painting with which I had been happy, having done about twenty sessions on it; it had to be thoroughly scraped away… what a rage I was in!
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I’ve done what I could as a painter and that seems to me to be sufficient. I don’t want to be compared to the great masters of the past, and my painting is open to criticism; that’s enough.
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I will bring lots of studies back with me so I can work on some big things at home.
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Never, even as a child, would I bend to a rule.
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My eyes were finally opened and I understood nature. I learned at the same time to love it.
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I don’t think I’m made for any earthly kind of pleasure.
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When I look at nature I feel as if I’ll be able to paint it all, note it all down, and then you might as well forget it once you’re working.
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I work at my garden all the time and with love. What I need most are flowers, always. My heart is forever in Giverny.
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What I need most of all is color, always, always.
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The only merit I have is to have painted directly from nature with the aim of conveying my impressions in front of the most fugitive effects.
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My only desire is an intimate infusion with nature, and the only fate I wish is to have worked and lived in harmony with her laws.
CLAUDE MONET