One day Boudin said to me, ‘Learn to draw well and appreciate the sea, the light, the blue sky.’ I took his advice.
CLAUDE MONETA good impression is lost so quickly.
More Claude Monet Quotes
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Never, even as a child, would I bend to a rule.
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Everything changes, even stone.
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Every day I discover more and more beautiful things. It’s enough to drive one mad. I have such a desire to do everything, my head is bursting with it.
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Nothing in the whole world is of interest to me but my painting and my flowers.
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It is only too easy to catch people’s attention by doing something worse than anyone else has dared to do it before.
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I am following Nature without being able to grasp her, I perhaps owe having become a painter to flowers.
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My garden is my most beautiful masterpiece
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Pictures aren’t made out of doctrines. Since the appearance of impressionism, the official salons, which used to be brown, have become blue, green, and red…But peppermint or chocolate, they are still confections.
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My life has been nothing but a failure.
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I didn’t become an impressionist. As long as I can remember I always have been one.
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I’ve been working so hard that I’m exhausted… I feel I won’t be able to do without a few weeks’ rest, so I’m going off to see the sea.
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For me, the subject is of secondary importance: I want to convey what is alive between me and the subject.
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When I work I forget all the rest.
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The more I live, the more I regret how little i know.
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Lots of people will protest that it’s quite unreal and that I’m out of my mind, but that’s just too bad.
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I’ve done what I could as a painter and that seems to me to be sufficient. I don’t want to be compared to the great masters of the past, and my painting is open to criticism; that’s enough.
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Impressionism is only direct sensation. All great painters were less or more impressionists. It is mainly a question of instinct, and much simpler than [John Singer] Sargent thinks.
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I work at my garden all the time and with love. What I need most are flowers, always. My heart is forever in Giverny.
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It is a tragedy that we live in a world where physical courage is so common, and moral courage is so rare.
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I am very depressed and deeply disgusted with painting. It is really a continual torture.
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I would advise young artists to paint as they can, as long as they can, without being afraid of painting badly.
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The real subject of every painting is light.
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My work is always better when I am alone and follow my own impressions.
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I don’t think I’m made for any earthly kind of pleasure.
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When I look at nature I feel as if I’ll be able to paint it all, note it all down, and then you might as well forget it once you’re working.
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My heart is forever in Giverny.
CLAUDE MONET