The more I live, the more I regret how little i know.
CLAUDE MONETI want to paint the air in which the bridge, the house and the boat are to be found – the beauty of the air around them, and that is nothing less than the impossible.
More Claude Monet Quotes
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Getting up at 4 in the morning, I slave away all day until by the evening I’m exhausted, and I end by forgetting all my responsibilities, thinking only of the work I’ve set out to do.
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Zaandam has enough to paint for a lifetime.
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When I work I forget all the rest.
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I waited for the idea to consolidate, for the grouping and composition of themes to settle themselves in my brain.
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To see we must forget the name of the thing we are looking at.
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As for myself, I met with as much success as I ever could have wanted. In other words, I was enthusiastically run-down by every critic of the period.
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For me, a landscape does not exist in its own right, since its appearance changes at any moment.
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I didn’t become an impressionist. As long as I can remember I always have been one.
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Every day I discover more and more beautiful things. It’s enough to drive one mad. I have such a desire to do everything, my head is bursting with it.
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It took me time to understand my water lilies. I had planted them for the pleasure of it; I grew them without ever thinking of painting them.
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I’m in fine fettle and fired with a desire to paint.
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If only the weather would improve, there’d be hope of some work, but every day brings rain.
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Apart from painting and gardening, I’m not good at anything.
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My eyes were finally opened and I understood nature. I learned at the same time to love it.
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The effect of sincerity is to give one’s work the character of a protest. The painter, being concerned only with conveying his impression, simply seeks to be himself and no one else.
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I’ve only myself to blame for it, my impotence most of all and my weakness. If I do any good work now it will be only by chance.
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Techniques vary, art stays the same; it is a transposition of nature at once forceful and sensitive.
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Despite my extremely modest prices, dealers and art lovers are turning their backs on me. It is very depressing to see the lack of interest shown in an art object which has no market value.
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Gardening was something I learned in my youth when I was unhappy. I perhaps owe having become a painter to flowers.
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One day Boudin said to me, ‘Learn to draw well and appreciate the sea, the light, the blue sky.’ I took his advice.
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The richness I achieve comes from nature, the source of my inspiration.
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These landscapes of water and reflection have become an obsession.
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I do what I can to convey what I experience before nature and most often, in order to succeed in conveying what I feel, I totally forget the most elementary rules of painting, if they exist that is.
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Never, even as a child, would I bend to a rule.
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Everything changes, even stone.
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I still don’t know where I am going to sleep tomorrow.
CLAUDE MONET