When I look at nature I feel as if I’ll be able to paint it all, note it all down, and then you might as well forget it once you’re working.
CLAUDE MONETThe richness I achieve comes from nature, the source of my inspiration.
More Claude Monet Quotes
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Light is the most important person in the picture.
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My life has been nothing but a failure.
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I’m enjoying the most perfect tranquillity, free from all worries, and in consequence would like to stay this way forever, in a peaceful corner of the countryside like this.
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When it is dark, it seems to me as if I were dying, and I can’t think any more.
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One’s better off alone, and yet there are so many things that are impossible to fathom on one’s own. In fact it’s a terrible business and the task is a hard one.
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I waited for the idea to consolidate, for the grouping and composition of themes to settle themselves in my brain.
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I’m in fine fettle and fired with a desire to paint.
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Never, even as a child, would I bend to a rule.
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No one but myself knows the anxiety I go through and the trouble I give myself to finish paintings which do not satisfy me and seem to please so very few others.
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I still don’t know where I am going to sleep tomorrow.
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I perhaps owe having become a painter to flowers.
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I’ve done what I could as a painter and that seems to me to be sufficient. I don’t want to be compared to the great masters of the past, and my painting is open to criticism; that’s enough.
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It is better to have done something than to have been someone.
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I had so much fire in me and so many plans.
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The richness I achieve comes from nature, the source of my inspiration.
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I want to paint the air in which the bridge, the house and the boat are to be found – the beauty of the air around them, and that is nothing less than the impossible.
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One can do something if one can see and understand it.
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I sometimes feel ashamed that I am devoting myself to artistic pursuits while so many of our people are suffering and dying for us. It’s true that fretting never did any good.
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For me, a landscape does not exist in its own right, since its appearance changes at any moment.
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Zaandam has enough to paint for a lifetime.
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It took me time to understand my water lilies. I had planted them for the pleasure of it; I grew them without ever thinking of painting them.
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What I need most of all is color, always, always.
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It’s enough to drive you crazy, trying to depict the weather, the atmosphere, the ambience.
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I’m knocked out, I’ve never felt so physically and mentally exhausted, I’m quite stupid with it and long only for bed; but I am happy.
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Color is my day-long obsession, joy and torment.
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I’ve said it before and can only repeat that I owe everything to Boudin and I attribute my success to him. I came to be fascinated by his studies, the products of what I call instantaneity.
CLAUDE MONET