I can only draw what I see.
CLAUDE MONETThe only merit I have is to have painted directly from nature with the aim of conveying my impressions in front of the most fugitive effects.
More Claude Monet Quotes
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Impressionism is only direct sensation. All great painters were less or more impressionists. It is mainly a question of instinct, and much simpler than [John Singer] Sargent thinks.
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When I look at nature I feel as if I’ll be able to paint it all, note it all down, and then you might as well forget it once you’re working.
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Getting up at 4 in the morning, I slave away all day until by the evening I’m exhausted, and I end by forgetting all my responsibilities, thinking only of the work I’ve set out to do.
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I’m enjoying the most perfect tranquillity, free from all worries, and in consequence would like to stay this way forever, in a peaceful corner of the countryside like this.
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Zaandam has enough to paint for a lifetime.
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It’s the hardest thing to be alone in being satisfied with what one’s done.
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My garden is my most beautiful masterpiece
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I never draw except with brush and paint.
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I still have a lot of pleasure doing them, but as time goes by I come to appreciate more clearly which paintings are good and which should be discarded.
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Perhaps it’s true that I’m very hard on myself, but that’s better than exhibiting mediocre work… too few were satisfactory enough to trouble the public with.
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Pictures aren’t made out of doctrines. Since the appearance of impressionism, the official salons, which used to be brown, have become blue, green, and red…But peppermint or chocolate, they are still confections.
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Color is my day-long obsession, joy and torment.
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Light is the most important person in the picture.
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I would like to paint the way a bird sings.
CLAUDE MONET -
I’m never finished with my paintings; the further I get, the more I seek the impossible and the more powerless I feel.
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I’m in fine fettle and fired with a desire to paint.
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I say that whoever claims to have finished a canvas is terribly arrogant.
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All I did was to look at what the universe showed me, to let my brush bear witness to it.
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The point is to know how to use the colours, the choice of which is, when all’s said and done, a matter of habit.
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I despise the opinion of the press and the so-called critics.
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I’ve said it before and can only repeat that I owe everything to Boudin and I attribute my success to him. I came to be fascinated by his studies, the products of what I call instantaneity.
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I am very depressed and deeply disgusted with painting. It is really a continual torture.
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I waited for the idea to consolidate, for the grouping and composition of themes to settle themselves in my brain.
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Lots of people will protest that it’s quite unreal and that I’m out of my mind, but that’s just too bad.
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One can do something if one can see and understand it.
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I haven’t many years left ahead of me and I must devote all my time to painting, in the hope of achieving something worthwhile in the end, something if possible that will satisfy me.
CLAUDE MONET