“I still have a lot of pleasure doing them, but as time goes by I come to appreciate more clearly which paintings are good and which should be discarded.”

The only merit I have is to have painted directly from nature with the aim of conveying my impressions in front of the most fugitive effects.

The light constantly changes, and that alters the atmosphere and beauty of things every minute.

I sometimes feel ashamed that I am devoting myself to artistic pursuits while so many of our people are suffering and dying for us. It’s true that fretting never did any good.

I’m in a foul mood as I’m making stupid mistakes… This morning I lost beyond repair a painting with which I had been happy, having done about twenty sessions on it; it had to be thoroughly scraped away… what a rage I was in!

I’ve done what I could as a painter and that seems to me to be sufficient. I don’t want to be compared to the great masters of the past, and my painting is open to criticism; that’s enough.

No one is an artist unless he carries his picture in his head before painting it, and is sure of his method and composition.

I am good at only two things, and those are gardening and painting.

Color is my day-long obsession, joy and torment.

I am enslaved to my work, always wanting the impossible, and never, I believe, have I been less favoured by the endlessly changeable weather.

To see we must forget the name of the thing we are looking at.

I can only draw what I see.

Pictures aren’t made out of doctrines. Since the appearance of impressionism, the official salons, which used to be brown, have become blue, green, and red…But peppermint or chocolate, they are still confections.

I must have flowers, always, and always.

I’m not performing miracles, I’m using up and wasting a lot of paint.

Thanks to my work everything’s going well; it’s a great consolation.

If the world really looks like that I will paint no more!