I work at my garden all the time and with love. What I need most are flowers, always. My heart is forever in Giverny.
CLAUDE MONETI work at my garden all the time and with love. What I need most are flowers, always. My heart is forever in Giverny.
More Claude Monet Quotes
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It’s on the strength of observation and reflection that one finds a way. So we must dig and delve unceasingly.
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Pictures aren’t made out of doctrines. Since the appearance of impressionism, the official salons, which used to be brown, have become blue, green, and red…But peppermint or chocolate, they are still confections.
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One can do something if one can see and understand it.
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When it is dark, it seems to me as if I were dying, and I can’t think any more.
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I’m not performing miracles, I’m using up and wasting a lot of paint.
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What I need most of all is color, always, always.
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The more I live, the more I regret how little i know.
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Every day I discover more and more beautiful things. It’s enough to drive one mad. I have such a desire to do everything, my head is bursting with it.
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Despite my exhaustion I have a devil of a time getting to sleep because of the rats above my bed and a pig who lives beneath my room.
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These landscapes of water and reflection have become an obsession.
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My work is always better when I am alone and follow my own impressions.
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Zaandam has enough to paint for a lifetime.
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Take clear water with grass waving at the bottom. It’s wonderful to look at, but to try to paint it is enough to make one insane.
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The light constantly changes, and that alters the atmosphere and beauty of things every minute.
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My heart is forever in Giverny.
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I didn’t become an impressionist. As long as I can remember I always have been one.
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Nature won’t be summoned to order and won’t be kept waiting. It must be caught, well caught.
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To see we must forget the name of the thing we are looking at.
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One’s better off alone, and yet there are so many things that are impossible to fathom on one’s own. In fact it’s a terrible business and the task is a hard one.
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The point is to know how to use the colours, the choice of which is, when all’s said and done, a matter of habit.
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I’ve said it before and can only repeat that I owe everything to Boudin and I attribute my success to him. I came to be fascinated by his studies, the products of what I call instantaneity.
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It is better to have done something than to have been someone.
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Never, even as a child, would I bend to a rule.
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I waited for the idea to consolidate, for the grouping and composition of themes to settle themselves in my brain.
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My only desire is an intimate infusion with nature, and the only fate I wish is to have worked and lived in harmony with her laws.
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Thanks to my work everything’s going well; it’s a great consolation.
CLAUDE MONET