I come from a long line of teachers. Not only did I not go into the family business; I had an aborted law career and I played in bands. ‘Disco Pigs’ was my first professional acting experience.
CILLIAN MURPHYI try not to think retrospectively. It’s important, as an artist, to look forward, always. I do try to take work that involves some challenge. If you approach a piece of work and you’re going, “Yeah, yeah, I can do that,” then that’s kind of a red flag.
More Cillian Murphy Quotes
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That’s what acting is about, Funny wigs and voices, that’s what we do.
CILLIAN MURPHY -
I try not to think retrospectively. It’s important, as an artist, to look forward, always. I do try to take work that involves some challenge. If you approach a piece of work and you’re going, “Yeah, yeah, I can do that,” then that’s kind of a red flag.
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I don’t care if people perceive me as always selling out because I’m doing a studio picture. For me, the whole thing is you should be diverse in your choices; that’s the beauty of being an actor, you should be able to do that.
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I don’t think they’d ever make a movie about Chuck Baker but I’d love to play Chuck Baker
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My only two constants are to challenge myself and to try not to repeat myself.
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I like the little bit of distance that London affords me and I like living in a world capital. I like having the culture at my fingertips.
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I personally think if something’s not a challenge there’s no point doing it because you’re not gonna learn much.
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I suppose I’ve always been attracted to this sort of outsider in general – in literature, in music, politics, whatever – and to the person that is able to be relentlessly themselves. I don’t think that I have that quality, that strength of mind.
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And once you’re unafraid with death, I think your capacity for violence is immediately increased. Once you’re unafraid of death, you are a very, very dangerous adversary.
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The best roles you have to fight for. You have to really want to do it and you have to go after it.
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I will always love film, the romance of film, sitting in the darkened room with strangers and watching a story for two hours – that will always remain and never be eroded by television.
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For me, drama is conflict.
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I think you fall out of love with theater while you’re doing your eighth show of your eighteenth week and your body is saying, “Please make this end.”
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There’s a lot of comedy in Intermission but it’s got this depth. It’s not comedy for comedy’s sake – it’s informed by something else. I like stuff like that
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I always think it’s a sign of a truly gifted director when they can move seamlessly between genres.
CILLIAN MURPHY






