I think it’s necessary to keep moving forward. I’ve always said that nostalgia is death, really for anyone creative.
CILLIAN MURPHYThe best roles you have to fight for. You have to really want to do it and you have to go after it.
More Cillian Murphy Quotes
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You’re an actor who’s Irish, not an Irish actor. And you shouldn’t be limited by your extraction.
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I don’t have a burning passion to live in America per se but I would certainly like to work there.
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I’ve never done a film for the money.
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I suppose I’ve always been attracted to this sort of outsider in general – in literature, in music, politics, whatever – and to the person that is able to be relentlessly themselves. I don’t think that I have that quality, that strength of mind.
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I’ve always felt kind of safe on stage, protected. I’ve talked to other performers about this and they feel the same things, particularly in the live arena. I never get nervous going on stage to do a play. Doing film or television I’ll have more butterflies.
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I come from a long line of teachers. Not only did I not go into the family business; I had an aborted law career and I played in bands. ‘Disco Pigs’ was my first professional acting experience.
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There’s a lot of comedy in Intermission but it’s got this depth. It’s not comedy for comedy’s sake – it’s informed by something else. I like stuff like that
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That’s what acting is about, Funny wigs and voices, that’s what we do.
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I try not to think retrospectively. It’s important, as an artist, to look forward, always. I do try to take work that involves some challenge. If you approach a piece of work and you’re going, “Yeah, yeah, I can do that,” then that’s kind of a red flag.
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And once you’re unafraid with death, I think your capacity for violence is immediately increased. Once you’re unafraid of death, you are a very, very dangerous adversary.
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The best roles you have to fight for. You have to really want to do it and you have to go after it.
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For me, drama is conflict.
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I think you fall out of love with theater while you’re doing your eighth show of your eighteenth week and your body is saying, “Please make this end.”
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It was very much about performances, the whole ensemble thing was just great – everybody working together. Sometimes it didn’t feel like a film set. It wasn’t technically driven, it was very, very enjoyable.
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I think for me with theater, I need to take a break and then fall in love with it again. And then go do it again.
CILLIAN MURPHY