I think you fall out of love with theater while you’re doing your eighth show of your eighteenth week and your body is saying, “Please make this end.”
CILLIAN MURPHYYou’re an actor who’s Irish, not an Irish actor. And you shouldn’t be limited by your extraction.
More Cillian Murphy Quotes
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I think any actor that says ‘I never watch my films’ is a liar because you have to watch it at least once and also you’re going to watch it when you’re doing your ADR.
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I like watching film, I go to the cinema, but a lot of times I go to see kids’ films.
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I always think it’s a sign of a truly gifted director when they can move seamlessly between genres.
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I try not to think retrospectively. It’s important, as an artist, to look forward, always. I do try to take work that involves some challenge. If you approach a piece of work and you’re going, “Yeah, yeah, I can do that,” then that’s kind of a red flag.
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For me it’s always been about the stories, not what medium. The medium is secondary to the stories.
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I think it’s necessary to keep moving forward. I’ve always said that nostalgia is death, really for anyone creative.
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You take the job very seriously and between action and cut, that’s where your focus should be. And then there’s a lot of levity in between and a lot of good fun.
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And once you’re unafraid with death, I think your capacity for violence is immediately increased. Once you’re unafraid of death, you are a very, very dangerous adversary.
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Having started out in theatre, I feel an impulse to do it as much as I can.
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I think for me with theater, I need to take a break and then fall in love with it again. And then go do it again.
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I’ve never done a film for the money.
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I’m terrible. I’m the wrong person to talk to, I really don’t know a thing.
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I started off in theater; I did exclusively theater for four or five years. In the last few years, television has come along but I can still make film. I feel very privileged that I can move between them.
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It was very much about performances, the whole ensemble thing was just great – everybody working together. Sometimes it didn’t feel like a film set. It wasn’t technically driven, it was very, very enjoyable.
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I’m interested in pressure, I’m interested in duress. All the great works of art, or film or literature, in my opinion, have elements of those in them.
CILLIAN MURPHY