“A fool is often as dangerous to deal with as a knave, and always more incorrigible.”

It is not so difficult a task to plant new truths, as to root out old errors; for there is this paradox in men, they run after that which is new, but are prejudiced in favor of that which is old.

Hope is a prodigal young heir, and experience is his banker.

He that studies books alone, will know how things ought to be; and he that studies men, will know how things are.

Man is an embodied paradox, a bundle of contradictions.

It is better to meet danger than to wait for it. He that is on a lee shore, and foresees a hurricane, stands out to sea and encounters a storm to avoid a shipwreck.

Doubt is the vestibule of faith.

The awkwardness and embarrassment which all feel on beginning to write, when they themselves are the theme, ought to serve as a hint to author’s that self is a subject they ought very rarely to descant upon.

Insults are engendered from vulgar minds, like toadstools from a dunghill.

That writer does the most who gives his reader the most knowledge and takes from him the least time.

Theories are private property, but truth is common stock.

Sturdy beggars can bear stout denials.

None are so fond of secrets as those who do not mean to keep them.

Let those who would affect singularity with success first determine to be very virtuous, and they will be sure to be very singular.

That is fine benevolence, finely executed, which, like the Nile, comes from hidden sources.

That is true beauty which has not only a substance, but a spirit; a beauty that we must intimately know, justly to appreciate.

Liberty will not descend to a people; a people must raise themselves to liberty; it is a blessing that must be earned before it can be enjoyed.

The dangerous man is the one who has only one idea, because then he’ll fight and die for it.

Creativity happens where it’s dangerous and scary: where you’re not comfortable.

It is a great danger for everyone when what is shocking changes.

Assumptions are dangerous things.

For the female of the species is more deadly than the male.

Particularly in the final stages I always find that I’m rushed. It’s dangerous when you’re rushed in the editing stage, most of my early films are flawed in the cutting.

Intellectual activity is a danger to the building of character.

Memories are killing. So you must not think of certain things, of those that are dear to you, or rather you must think of them, for if you don’t there is the danger of finding them, in your mind, little by little.