Everyone had a mother, even if she had to leave us on a stranger’s doorstep. No matter how we’re eventually raised, all of our stories begin the exact same way. They all end the same, too.
BRIAN K. VAUGHANI’m still digesting the ’90s. It takes some time to get perspective.
More Brian K. Vaughan Quotes
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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I remember seeing Stand by Me, when I was around 12, and just feeling like, “This is so refreshing to see kids swear and smoke cigarettes like my friends.” It just felt much more real than the Sesame Street version of childhood that I’d been spoon-fed.
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My mom once told me that a good relationship isn’t where the other person makes you feel better, but where they make *you* better.
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I like being around teenagers. It’s good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They’re mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
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I like things that are weirdly imaginative and couldn’t be real, but I also like stories that are recognizable and relatable.
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Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
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Some people are haunted by their pasts, but not my family. I mean, how can you be haunted by something that never really dies?
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To try and imagine that I’m another person is always going to be hard – whether I’m writing about a truck driver or someone who is gay, who’s trans, who is of a different ethnicity or creed. But it would be boring if I always had to write about myself and my limited viewpoint.
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I don’t start a story until I know where it’s going to end.
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We’ve all seen lots of stories about a young protagonist having adventures, and usually they’re all boys, [and] there is sometimes a token female, or two.
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Next up, I’m going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.
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If a good editor will let me tell my story with the right artist, I’m happy.
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There’s just something about that late ’80s that suddenly feels like it has something to teach us.
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Doesn’t matter if it’s personal or professional, a good partnership takes work.
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Adaptations are great, but for me, comics have always been the destination, not a stepping-stone to get somewhere else.
BRIAN K. VAUGHAN