No. No, first comes boyhood. You get to play with soldiers and spacemen, cowboys and ninjas, pirates and robots. But before you know it, all that comes to an end. And then, Remo Williams, is when the adventure begins.
BRIAN K. VAUGHANWe’ve all seen lots of stories about a young protagonist having adventures, and usually they’re all boys, [and] there is sometimes a token female, or two.
More Brian K. Vaughan Quotes
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I don’t start a story until I know where it’s going to end.
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Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
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Adaptations are great, but for me, comics have always been the destination, not a stepping-stone to get somewhere else.
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager.
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I’m the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian’s from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it’s worked like a goddamn charm.
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I remember seeing Stand by Me, when I was around 12, and just feeling like, “This is so refreshing to see kids swear and smoke cigarettes like my friends.” It just felt much more real than the Sesame Street version of childhood that I’d been spoon-fed.
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It was interesting looking back at the ’80s and trying to find newspaper headlines from the time – the cliché of history repeating itself.
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I’m still digesting the ’90s. It takes some time to get perspective.
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We’ve all seen lots of stories about a young protagonist having adventures, and usually they’re all boys, [and] there is sometimes a token female, or two.
BRIAN K. VAUGHAN -
I mean, do you know what you get when you call a suicide hotline in New York city? A busy signal. Literally.
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I’ve always thought of fantasy as a genre of best-case scenarios, and horror as a genre of worst-case scenarios.
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We describe [Paper Girls] as Stand By Me meets Terminator.It’s a story about nostalgia and childhood, but with an action-packed, sci-fi bent.
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Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.
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Doesn’t matter if it’s personal or professional, a good partnership takes work.
BRIAN K. VAUGHAN