black
grey
blue
red
brown
white

Because if someone does that, you can find your own position in relation to it: what is it that I don’t agree with? In the studio I want to articulate a position clearly enough so that other people can use it – or chuck it away if they don’t want it.

Brian Eno

Most game music is based on loops effectively.
BRIAN ENO

Games Loops Music
When people censor themselves they’re just as likely to get rid of the good bits as the bad bits.
BRIAN ENO

Bits Longer Notice People Something
For me it’s always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it’s always sound first and then the line afterwards.
BRIAN ENO

Afterward Firsts Lines Sound
One often makes music to supplement one’s world.
BRIAN ENO

Creativity Supplement World
Of course with everybody else aiming there as well that makes it very hard and expensive to hit. I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
BRIAN ENO

Everybody Expensive Plant Riches
It’s easy to forget that your best work is done when your attention is fully engaged.
BRIAN ENO

Attention Done Forget
Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music – not like a record that you’d put on, which would play for a while and finish.
BRIAN ENO

Flirting Ideas Play
Sometimes you recognize that there is a category of human experience that has not been identified but everyone knows about it. That is when I find a term to describe it.
BRIAN ENO

Categories Sometimes Term
We’re going through this super-uptight era, which I think comes entirely from literacy, actually. It’s the result of machines that were designed as word processors being used for making music.
BRIAN ENO

Designed Machines Thinking Uptight
The tools are evolving, and people’s interests are evolving as well. So, suddenly people like to hear bands, people like Devendra Banhart or the xx, bands that make a kind of virtue of sloppiness.
BRIAN ENO

Hands People Sloppiness
So, I try to make signs, graphically and visually, to say to people “Okay, this is this department of my work and this is this other department of my work.” And of course I’m very pleased if people like all of them, but I don’t want them to feel deceived at any point.
BRIAN ENO

Departments Graphical People Pleased
There’s a kind of edge to what you’re doing, the kind of leading edge of what you’re doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. “I’ve pulled that one out before. Oh, no, I can’t I’m just fed up with that.
BRIAN ENO

Bored Retrospect Thinking
In my normal life I’m a very unadventurous person.
BRIAN ENO

Life Normal Persons
People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye.
BRIAN ENO

Arrows Art Eye Smack
I always use the same guitar; I got this guitar years and years ago for nine pounds. It’s still got the same strings on it.
BRIAN ENO

Guitar Pounds Years
I want to rethink surrender as an active verb.
BRIAN ENO

Surrender Verbs Want

Because if someone does that, you can find your own position in relation to it: what is it that I don’t agree with? In the studio I want to articulate a position clearly enough so that other people can use it – or chuck it away if they don’t want it.

Related Topics

Popular Authors

Because if someone does that, you can find your own position in relation to it: what is it that I don’t agree with? In the studio I want to articulate a position clearly enough so that other people can use it – or chuck it away if they don’t want it.

Related Topics

Popular Authors

More Brian Eno Quotes