I want to rethink surrender as an active verb.
BRIAN ENOBecause if someone does that, you can find your own position in relation to it: what is it that I don’t agree with? In the studio I want to articulate a position clearly enough so that other people can use it – or chuck it away if they don’t want it.
More Brian Eno Quotes
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The seven white notes on the piano – each section of the piece (there are 12 sections) is five of those seven white notes.
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My lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
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Robert Fripp and I will be recording another LP very soon. It should be even more monotonous than the first one!
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The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
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Feelings are more dangerous than ideas, because they aren’t susceptible to rational evaluation. They grow quietly, spreading underground, and erupt suddenly, all over the place.
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The vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
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I can see the use and value of religion, just as I can see the use of mud wrestling, yoga, astronomy and sadomasochism. but I reject the idea that you can’t be a deep human being without it or any of them.
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I wanted quite the opposite of that. I wanted them to accent their styles, so that they pulled away.
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Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.
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If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
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It’s easy to forget that your best work is done when your attention is fully engaged.
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Once you’ve grown to accept something and it becomes part of the system you’ve inherited, you don’t even notice it any longer.
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Look closely at the most embarrassing details, and amplify them.
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A responsible designer might try to overcome this limitation – probably the engineers at Marshall tried, too. But that sound became the sound of, among others, Jimi Hendrix. That sound is called electric guitar.
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For the world to be interesting, you have to be manipulating it all the time.
BRIAN ENO