Sometimes you recognize that there is a category of human experience that has not been identified but everyone knows about it. That is when I find a term to describe it.
BRIAN ENOMost game music is based on loops effectively.
More Brian Eno Quotes
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If I had a stock of fabulous sounds I would just always use them. I wouldn’t bother to find new ones.
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The artists of the past who impressed me were the ones who really focused their work.
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When I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn’t expected or predicted by what I supplied.
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I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it – like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music.
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I wanted to use the studio like a microscope for sound, which is what good engineers do.
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For me it’s always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it’s always sound first and then the line afterwards.
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I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
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Of course with everybody else aiming there as well that makes it very hard and expensive to hit. I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
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For instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
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People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye.
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As struggles go, being an artist isn’t that much of one.
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Everything good proceeds from enthusiasm.
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Rationality is what we do to organize the world, to make it possible to predict. Art is the rehearsal for the inapplicability and failure of that process.
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One of the great breakthroughs of evolution theory is that you start with simple things and they will grow into complexity.
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Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music – not like a record that you’d put on, which would play for a while and finish.
BRIAN ENO







