I love San Francisco and Brighton has something of San Francisco about it. It’s by the sea, there’s a big gay community, a feeling of people being there because they enjoy their life there.
BRIAN ENOTry to make things that can become better in other people’s minds than they were in yours.
More Brian Eno Quotes
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So, that means you can only play either very high or very low or both. And we’re going to stay there until I take my finger down.
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People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye.
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The prospect of music being detachable from time and place meant that one could start to think of music as a part of one’s furniture.
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American television really is pathetic.
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You either believe that people respond to authority, or that they respond to kindness and inclusion. I’m obviously in the latter camp. I think that people respond better to reward than punishment.
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Look closely at the most embarrassing details, and amplify them.
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Of course with everybody else aiming there as well that makes it very hard and expensive to hit. I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
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One of the things you’re doing when you make art, apart from entertaining yourself and other people, is trying to see what ways of working feel good, what feels right.
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What happens with notation is that it reduces things to a language which isn’t necessarily appropriate to them. In the same way that words do, you get a much cruder version of what was actually intended.
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Emotion creates reality, reality demands action.
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I hate the way CDs just drone on for bloody hours and you stop caring.
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I hate the thought that someone had picked up one of my song records and was really excited about it, and walks [out of] a record shop with On Land and is disappointed because it isn’t what they wanted.
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When people censor themselves they’re just as likely to get rid of the good bits as the bad bits.
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Make an exhaustive list of everything you might do & do the last thing on the list.
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In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.
BRIAN ENO