I hate the way CDs just drone on for bloody hours and you stop caring.
BRIAN ENOFeelings are more dangerous than ideas, because they aren’t susceptible to rational evaluation. They grow quietly, spreading underground, and erupt suddenly, all over the place.
More Brian Eno Quotes
-
-
It’s actually very easy for democracy to disappear.
BRIAN ENO -
Most game music is based on loops effectively.
BRIAN ENO -
People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye.
BRIAN ENO -
You don’t have to act as if you know what you’re doing
BRIAN ENO -
Well, there are some things that I just can’t get out of my head, and they start to annoy me after a while.
BRIAN ENO -
All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
BRIAN ENO -
I’ve got a feeling that music might not be the most interesting place to be in the world of things.
BRIAN ENO -
The vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
BRIAN ENO -
You know that in order to copyright material somebody has to write it down for you. Any piece of recorded material has to be scored in order for it to be copyrighted.
BRIAN ENO -
I don’t like headphones very much, and I rarely listen to music on headphones.
BRIAN ENO -
When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they’re not obvious at the time. So, when I look back at my own work.
BRIAN ENO -
I always use the same guitar; I got this guitar years and years ago for nine pounds. It’s still got the same strings on it.
BRIAN ENO -
People always focus on people like me who use synthesizers, right, which are explicitly electronic and therefore obvious.
BRIAN ENO -
When I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn’t expected or predicted by what I supplied.
BRIAN ENO -
I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
BRIAN ENO